Admin
Monday, 18 May 2020 14:21

‘Scoob!’ a doggone good time

Full disclosure: it is difficult for me to be objective with regards to Scooby Doo. I have had a deep-seated love for all things Hanna-Barbera since I was a kid; those characters are all beloved parts of my childhood pop culture consumption.

That being said, I was unsure how to feel about “Scoob!” The latest attempt to bring the character to the big screen – now available for rent or purchase via VOD – was an unabashed update, an origin story that I wasn’t at all sure that I needed or wanted. Of course, no IP is safe in the current cinematic landscape, so an update/reboot was all but assured.

Surprisingly, “Scoob!” is … not that bad. It’s an engaging enough take on the source material, making an effort to stay true to the spirit of the original. There’s a whiff of the formulaic here, but everything is executed with good faith effort. It’s certainly not going to alienate nostalgic fans, while also having a shot and bringing new ones into the fold.

Published in Movies
Wednesday, 27 December 2017 13:47

‘The Greatest Showman’ not that great

Musical has its moments, but mostly falls short

Published in Movies

Reboot has plenty of T&A, but not enough heart

Published in Movies

The past few years have seen the rise of a subgenre of comedic film, movies marked by the foul-mouthed, ludicrous and largely consequence-free antics of idiotic man-boys, overgrown children whose ability to function in any semblance of the real world strains the bounds of suspension of disbelief. They feature long, improv-driven riffs and plenty of raunchy moments.

Published in Movies

'Sorority Rising' a rehash, but not without its own crass charms

Here in the summer season, we talk a lot about the relative necessity of sequels; we see plenty of them during this segment of the cinematic calendar, after all. To be clear, this isn't about franchise-building. This is about sequels to films that, while successful to some degree, don't appear to really invite revisiting.

Published in Movies
Thursday, 26 April 2012 09:22

The Unlucky One

Sparks adaptation overwrought, underdeveloped

There are few writers out there who have mastered the art of emotional manipulation quite like Nicholas Sparks. And Hollywood has taken notice, adapting seven of his books to the big screen. He's responsible for such tearjerkers as 'A Walk To Remember,' 'Dear John,' 'Message in a Bottle' and of course, the Sparksiest of them all, 'The Notebook.' Number seven just hit the big screen with the opening of 'The Lucky One.'

Logan Thibeault (Zac Efron, 'The Lorax') is a Marine sergeant serving in Iraq. One day while standing guard, he catches a glimpse of something half buried in the sand. He goes to retrieve it; it turns out to be a laminated picture of a woman. As he looks at it, a rocket attack hits precisely where he had just been standing. From then on, Logan views it as a sort of lucky charm.

When he gets out of the service, Logan is determined to track down the woman from the photo. His journey takes him from Colorado to Louisiana, where he finally finds Beth Green (Taylor Schilling, 'Atlas Shrugged: Part I'). She runs a pet boarding kennel along with her grandmother Ellie (Blythe Danner, 'What's Your Number?'). When Logan arrives, he intends to tell Beth about the picture but instead gets swept into the idyllic small-town life of the Greens.

Published in Movies

Advertisements

The Maine Edge. All rights reserved. Privacy policy. Terms & Conditions.

Website CMS and Development by Links Online Marketing, LLC, Bangor Maine