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Tuesday, 03 December 2019 13:52

‘Knives Out’ a cut above

Is there anything better than a good old-fashioned whodunnit? Getting dropped into the midst of a mystery as it unfolds can be an utterly delightful entertainment experience, whether we’re talking about the page, the stage or the screen.

Of course, the key here is the word “good.” Because while a good whodunnit is great fun, a bad one is decidedly not. There are a LOT of ways for a mystery to go bad and it is far from easy to make one that engages in all the ways it needs to engage.

“Knives Out,” the latest offering from writer/director Rian Johnson, isn’t good. It’s great.

From the film’s opening moments to its dynamic conclusion, “Knives Out” is firing on all cylinders. The aesthetic is exquisite, packed with details both ornamental and load-bearing. The narrative is nuanced, with a twisty-turny plot that finds ways to both celebrate and subvert the conventions of the genre. And the cast is magnificent, a collection of top-tier talent welded together into one of the most entertaining ensembles to hit theaters this year.

It is a modern twist of the knife, so to speak; a combination of Agatha Christie-esque manor house mystery with a 21st sensibility. It is smart and self-aware, layered and tense and surprisingly funny. It embraces stylistic formula while simultaneously being something altogether itself. It cuts quickly and deeply … and so very effectively.

Published in Movies

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