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Wednesday, 25 August 2021 11:40

Tanks for the memories – ‘Reminiscence’

Among the many joys that come with genre filmmaking is the possibility of overlap. All the available commonalities allow intrepid (and even not-so-intrepid) filmmakers to design their own stylistic and thematic Venn diagrams, putting together projects that combine tropes and other elements from a variety of narrative and aesthetic sources. In general, the flexibility of genre usually translates.

This is the process that gives us “space horror” and “urban fantasy” and any number of other weird and wonderful combo platters.

The new film “Reminiscence,” currently in theaters and streaming on HBO Max, is an example of a particularly effective genre blend – sci-fi noir, or tech noir. The film – written and directed by Lisa Joy and starring Hugh Jackman – follows in the footsteps of filmmakers like Ridley Scott and James Cameron and Terry Gilliam, bringing the shadowy grit of film noir into a future world of bleeding edge technology.

Unfortunately, it’s not nearly as successful as those films. It has a talented cast and the premise and setting are intriguing enough, but “Reminiscence” can’t quite stay out of its own way, getting bogged down in the details of a not-quite-coherent romantic mystery even as it tosses out and then promptly abandons a number of interesting ideas. The end result is a film that leaves you remembering other, better films and wondering about what might have been – oddly ironic for a story where the toxicity of nostalgia is a central tenet.

Published in Movies

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