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Tuesday, 12 November 2019 12:44

‘Midway’ tries to fight the good fight

The Battle of Midway is considered one of the major turning points in World War II. The victory by U.S. forces over the Japanese Navy prevented Japan from taking control of the Pacific Ocean and bringing devastation to America’s west coast. The United States was outnumbered and outgunned, but thanks to the bravery of the men in the fight and the brilliance of those plotting the course, they emerged victorious.

It’s an obvious choice to receive the cinematic treatment. Indeed, the battle was the namesake of a star-studded 1976 film. Now, over 40 years after that film and over 70 since the battle itself, moviegoers are getting another look at that historic fight on the big screen.

Too bad it isn’t a better movie.

Director Roland Emmerich, whose name has become a kind of shorthand for big-budget Hollywood films that are heavy on the explosions and light on the … everything else, brings us “Midway.” While he certainly understands the spectacle that comes with war movies, he doesn’t quite capture the subtler aspects of the story the way one might hope.

It’s not that the film is bad, per se – it’s just a bit heavy-handed, both in terms of the CGI battle scenes and the interpersonal relationships. To his credit, Emmerich has assembled a talented cast that is able to somewhat alleviate the issues with both his direction and Wes Tooke’s screenplay, lending the proceedings a depth that otherwise wouldn’t be there. The end result is a moviegoing experience that is fine, but no more than that.

It’s a story that warrants telling; it’s just too bad that it isn’t better told.

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