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The transition from stage to screen can be hard.

No matter how good a stage play might be, no matter how brilliant the writing and writer, the shift from a live performance setting into the realm of cinema is rife with pitfalls. There are any number of things that can go awry, leaving audiences with a detached viewing experience that simply cannot compare with the one that took place in the room where it happened.

But when it works, man oh man – it WORKS.

Netflix’s new film “Ma Rainey’s Black Bottom” – directed by George C. Wolfe and adapted for the screen by Ruben Santiago-Hudson from August Wilson’s play of the same name – works. It is an electrifying piece of cinema, powerful and provocative. The performances – led by Viola Davis as the titular Ma and an absolutely mesmerizing turn from the late Chadwick Boseman – are exquisite. The period aesthetic is vividly on point and the music slaps.

It’s a story of appropriation and what it means to push back against that appropriation. It’s about using whatever talents you have to force your way into the conversation, to demand a place at the table of your own, regardless of whether the world believes you deserve that spot. It is about systemic racism and cultural exploitation and the myriad ways in which one might choose to deal with those harsh realities.

Published in Movies
Tuesday, 20 November 2018 11:52

‘Widows’ an engaging, atypical thriller

What happens when an Academy Award-winning director teams up with a bestselling novelist-turned-screenwriter to make an unexpected and unconventional heist movie?

“Widows” happens.

Director Steve McQueen isn’t necessarily the guy you’d think of when it comes to gritty gangster noir fare, but this film – which he also co-wrote alongside “Gone Girl” author Gillian Flynn – is all that and more. It’s a tense thriller, yes, but it’s also a work of feminist empowerment. And oh yeah, it has something to say about the American political system as well.

It’s a beautifully-crafted film, aesthetically stylish and narratively surprising, featuring a peak-of-his-powers filmmaker assembling an incredibly talented ensemble to create a movie that, while hauntingly familiar in some respects, is still something you’ve never really seen before.

Published in Movies
Wednesday, 22 February 2017 12:35

Celebrating cinema with the Academy Awards

Predicting the Oscar winners for 2017

Published in Cover Story

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