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There are a lot of people – directors and writers and actors and designers – who need to succeed in order to make a good movie. But that success is relative – it is possible for the work of one or a few to have an outsized impact on a movie, to be great even if their surroundings don’t quite measure up.

This is a long-winded and overly verbose way of saying that the new movie “Stillwater” – directed by Tom McCarthy, who co-wrote the script alongside Marcus Hinchey, Thomas Bregdain and Noe Debre, and starring Matt Damon – is a so-so film that is nevertheless home to some outstanding individual work.

This story of an Oklahoma man who devotes himself to proving the innocence of his young daughter, jailed in France for a crime she claims not to have committed, drew inspiration from the real-life story of Amanda Knox, whose own salacious case of murder and wrongful conviction played out over the course of years back in the ‘00s. It’s a deep and often moving portrait of one man’s efforts to do what’s right, only to continually and thoroughly misstep … not to mention one of Matt Damon’s best performances in years.

(It should be noted that there’s an ongoing discourse surrounding “Stillwater” with regard to Knox and her feelings about having her ordeal used as fodder for the film; the parallels are fairly clear. The degree of control a person has over their own personal story becomes lessened when they move into the public eye, whether by choice or against their will. It might not be right, but it’s how it is, at least right now.)

Published in Movies

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