Admin

The relationships that exist between people – and the motivations that drive them – are often the best fodder for storytelling. The reasons we do the things we do and the people for whom we do them can be the purest distillation of our character.

Novelist Donald Ray Pollock has a knack for evoking the dark side of that equation; his books are packed with the brutality and evil that people do even while feeling utterly justified in doing them.

That sense of physical and emotional violence is omnipresent in “The Devil All the Time,” an adaptation of Pollock’s 2011 novel of the same name. Directed by Antonio Campos from a screenplay he co-wrote with his brother Paulo, the film is set in midcentury West Virginia and Ohio and follows a sprawling collection of different characters through narratives whose connections – both overt and subtle – constantly ebb and flow toward one another.

It’s a story of sin, of the evil that even the pious are capable of if they can convince themselves of the righteousness of their acts. It’s a striking representation of the time and place, to be sure, while also featuring an incredible collection of talent in the cast. But that unrelenting representation of the dark side of human nature, the ongoing parade of terrible people doing terrible things for terrible reasons – it’s a lot. The bleakly entangled constancy of sex and violence and power and religion is frankly exhausting, though the excellent performances and quality filmmaking make it worth the undertaking nevertheless.

Published in Movies
Wednesday, 11 March 2020 13:21

Fractured fairy tale – ‘Onward’

Obviously, I love Pixar movies. I’m a human being with feelings and a soul, so of course I dig the work of the acclaimed animation studio. That being said, I also have to accept that because they have set the bar so very high, there will be occasions in which they fail to clear it.

So it is with their latest offering “Onward,” a film that, were it to come from any other studio, would likely be hailed as great work, but because it bears the Pixar name, it feels just the slightest bit underwhelming.

Make no mistake – “underwhelming” is by no means the same as “bad” – this is actually a charming and fun film. The concept is interesting enough, the vocal performances are typically strong and the execution is quite good. Jokes are made and heartstrings are tugged. All the usual pieces are here. It just doesn’t quite ascend to the level of accomplishment that we’ve come to expect from the studio.

Published in Movies
Wednesday, 22 January 2020 14:16

‘Dolittle’ does even less

When a once-hyped big-budget movie sees its release time moved from prime real estate to the January tundra, it’s probably safe to assume that things haven’t worked out the way anyone anticipated. It’s not hard to tell when a studio has made the grim decision to cut its losses.

“Dolittle” was obviously intended to be a tentpole, a spring/summer release meant to kick off a franchise. And with no-longer-Tony-Stark Robert Downey Jr. on board, it probably felt like an easy win, a no-brainer.

Instead, it’s a meandering and pointless exercise in formulaic filmmaking. It is utterly lacking in any sort of spark, a flat and listless story told without any real excitement or urgency. There’s zero in the way of originality and even less in the way of engagement despite an absolutely all-star cast. Younger viewers might get some giggles, but even they will likely sense that something doesn’t sit right.

Basically, “Dolittle” is a dumb movie that doesn’t really care how dumb it is.

Published in Movies

It’s rarely good news when a film’s release is significantly pushed back. Regardless of the reasons, it’s not a great look when your movie hits the festival circuit, only to disappear from view for months or even years before eventually getting a wide release.

Every once in a while, though, the end result is a better film.

That seems to be the case with “The Current War: Director’s Cut” – released as such because it has been significantly changed from its initial appearance on the scene a couple of years ago. And those changes seem to have done the trick, because while that earlier version of the film was received in a manner that would charitably be called “mixed,” this new iteration is actually a pretty solid biopic.

It’s the story of the real-life rivalry between Thomas Edison and George Westinghouse as they competed to see whose electrical current – Edison’s DC or Westinghouse’s AC – would be the one that electrified America and the world. It’s a stylish and aesthetically engaging film – far more so than you might expect from a biopic such as this one – with an A-list ensemble cast and dynamic direction courtesy of Alfonso Gomez-Rejon.

Published in Movies

It’s tough to argue that the Marvel Cinematic Universe isn’t one of the most monumental achievements in the history of the medium. Regardless of how you feel about the content of the movies – some people just don’t dig superhero flicks – you cannot deny that the unspooling of the MCU saga over more than 20 films is an incredible achievement.

The culmination of that arc was “Avengers: Endgame,” but despite what you might think, that film was not the end of Marvel’s so-called Phase 3.

That honor goes to “Spider-Man: Far from Home,” a film that puts Tom Holland’s excellent Spider-Man front and center once again while also serving to both cleanse the palate and pick up the pieces after the paradigm-shifting events of the previous film. It’s a chance to view the aftermath of what has come before while also laying the groundwork for what comes next.

It’s also a delightful standalone adventure in its own right, a quippy, flippy movie packed with web-slinging action and some first-rate comic beats. In addition, we get our first look at a world still working its way through the everyday logistical chaos left by the Snap – or the Blip, as the kids apparently call it. A first look at a world without Tony Stark.

Published in Movies

Latest reboot captures the joyful spirit of the beloved superhero

Published in Movies

Advertisements

The Maine Edge. All rights reserved. Privacy policy. Terms & Conditions.

Website CMS and Development by Links Online Marketing, LLC, Bangor Maine