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It’s rarely good news when a film’s release is significantly pushed back. Regardless of the reasons, it’s not a great look when your movie hits the festival circuit, only to disappear from view for months or even years before eventually getting a wide release.

Every once in a while, though, the end result is a better film.

That seems to be the case with “The Current War: Director’s Cut” – released as such because it has been significantly changed from its initial appearance on the scene a couple of years ago. And those changes seem to have done the trick, because while that earlier version of the film was received in a manner that would charitably be called “mixed,” this new iteration is actually a pretty solid biopic.

It’s the story of the real-life rivalry between Thomas Edison and George Westinghouse as they competed to see whose electrical current – Edison’s DC or Westinghouse’s AC – would be the one that electrified America and the world. It’s a stylish and aesthetically engaging film – far more so than you might expect from a biopic such as this one – with an A-list ensemble cast and dynamic direction courtesy of Alfonso Gomez-Rejon.

Published in Movies

It’s tough to argue that the Marvel Cinematic Universe isn’t one of the most monumental achievements in the history of the medium. Regardless of how you feel about the content of the movies – some people just don’t dig superhero flicks – you cannot deny that the unspooling of the MCU saga over more than 20 films is an incredible achievement.

The culmination of that arc was “Avengers: Endgame,” but despite what you might think, that film was not the end of Marvel’s so-called Phase 3.

That honor goes to “Spider-Man: Far from Home,” a film that puts Tom Holland’s excellent Spider-Man front and center once again while also serving to both cleanse the palate and pick up the pieces after the paradigm-shifting events of the previous film. It’s a chance to view the aftermath of what has come before while also laying the groundwork for what comes next.

It’s also a delightful standalone adventure in its own right, a quippy, flippy movie packed with web-slinging action and some first-rate comic beats. In addition, we get our first look at a world still working its way through the everyday logistical chaos left by the Snap – or the Blip, as the kids apparently call it. A first look at a world without Tony Stark.

Published in Movies

Latest reboot captures the joyful spirit of the beloved superhero

Published in Movies

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