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Tuesday, 13 August 2019 15:22

Mob wives – ‘The Kitchen’

While their position in the zeitgeist has ebbed and flowed over the decades, there’s no denying that mob stories are a fixture in our popular culture. The framework of organized crime allows for loads of violence and sex to go with interpersonal drama – it’s like the whole enterprise was invented for the stories (and plenty of it was).

Here’s the thing about popular stories – it’s tough to find new and successful ways in which to tell them.

That’s perhaps the biggest problem faced by “The Kitchen,” a 1970s-set mob movie that tries to venture down some different and interesting paths, but other than a few flashes, winds up largely bogged down in the clichés and tropes of the subgenre.

Based on the comic book series of the same name, “The Kitchen” tells the tale of three women forced by circumstance to team up and fill the void left by their absent husbands, who have been sent to prison. The leading trio is wildly talented, as is much of the supporting cast, but it isn’t enough; first-time director Andrea Berloff – directing from her own script – can’t seem to avoid the pitfalls of returning to such thoroughly excavated territory.

Published in Movies

It took all of one weekend for it to be clear that there would be a sequel to 2014’s “The Lego Movie.” It was embraced by audiences of all ages and made just an absolute crapload of money – almost $470 million all told – so making another was a no-brainer.

The danger, however, is that capturing that kind of lightning in a bottle twice isn’t easy. There were elements of the original that simply could not be replicated – would a sequel still be able to resonate with audiences?

Ultimately, “The Lego Movie 2: The Second Part” is able to answer that question with a “yes.” The sequel – directed by Mike Mitchell, although Christopher Miller and Phil Lord (who directed the first film) did the screenplay – shares a sensibility with the original; while it doesn’t quite manage the same degree of emotional resonance, the jokes come fast and furious and the cast is as top-notch as ever.

Published in Movies
Wednesday, 03 October 2018 12:46

‘Night School’ flunks out

Love him or hate him, you know pretty much what you’re getting with Kevin Hart. His movies are built on a foundation of fast-talking shtick as he inevitably plays someone thrust into circumstances beyond his control due to his past failings.

The problem is that the shtick – never particularly robust to begin with – is definitely wearing thin.

So we have “Night School,” a largely unfunny lowbrow comedy that proves unable to come up with more than a handful of decent jokes despite sporting a frankly-unbelievable six credited screenwriters. Not even the presence of Tiffany Haddish and a not-at-all-bad supporting ensemble is enough to make this movie clear what is a decidedly low bar.

Published in Movies
Monday, 02 July 2018 15:44

Ball don’t lie – ‘Uncle Drew’

Sometimes, you see a movie trailer and think “That looks terrible.” Other times, you see a trailer and think “I’d like to see that.” And every once in a while – rarely, but it happens – you get one that makes you think “That looks terrible. I’d like to see that.”

“Uncle Drew” very much falls into that third category.

The film – based solely on a character played by Kyrie Irving for a handful of Pepsi commercials wherein Irving would don a bunch of old-age makeup and prosthetics and proceed to humiliate people on various basketball courts. Pretty funny bit for a couple of minutes, sure - but for 90? With a Space Jam-esque collection of NBA players making up a significant portion of the supporting cast? Obviously, it was going to be terrible.

And even more obviously, it was going to delight me.

Published in Movies

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