Admin

What does it mean to take on the role of an icon?

It’s one of the fundamental challenges of a biopic – how to invoke the spirit and sensibility of a famous figure in a manner that avoids caricature. The best of these performances aren’t impressions or impersonations, but rather honest appraisals of the person being portrayed, built on actual character rather than a few plucked characteristics.

It’s worth noting that sometimes in biopics, the skill and subtlety of the central performance far outshines the rest of the film. The movie becomes less about the story and more about the person to whom the story is happening. That doesn’t mean the film is bad, necessarily – just that it doesn’t fully live up to the actor at its core.

Such is the case with “The United States vs. Billie Holiday,” directed by Lee Daniels from a screenplay adapted by Suzan-Lori Parks from part of Johann Hari’s 2015 book “Chasing the Scream: The First and Last Days of the War on Drugs.” It’s a film with issues – tonal inconsistency, uneven direction, a somewhat meandering narrative and odd aesthetic choices.

And yet, many of the film’s sins are forgiven due to the sheer incandescence of Andra Day’s performance as the titular Billie Holiday. Even during stretches when the movie isn’t entirely working, Day NEVER stops working. She is absolutely magnetic onscreen, thrilling to watch. And when she starts to sing? Forget about it. Day papers over a lot of the film’s issues through sheer power of performance.

Published in Movies

Advertisements

The Maine Edge. All rights reserved. Privacy policy. Terms & Conditions.

Website CMS and Development by Links Online Marketing, LLC, Bangor Maine