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Stop me if you’ve heard this one: Stephen King is the preeminent American storyteller.

Apologies for my broken-recordness on the subject, but it always bears repeating – there is no one in American letters over the past half-century who has managed to be as prolific and as culturally relevant as Stephen King.

And there’s a reason the zeitgeist is awash with King-inspired and -adjacent properties. Not only have the majority of his iconic earlier works withstood the test of time, but his late-career renaissance puts on display a King who has evolved while still maintaining an unprecedented degree of narrative skillfulness.

Oh yeah – and his stuff is still REALLY scary.

King’s latest is “The Outsider” (Scribner, $30), a pulpy, propulsive tale reminiscent of some of his earlier highlights. Yet even as he elicits memories of his own creepy stylings from 30 years ago, he infuses that throwback thriller with pointed references to the present. The end result is a book that is somehow both Now and Then, where early King and late King combine with an eerie smoothness. It is dark and creepy and thought-provoking and engrossing – everything you hope for from Stephen King.

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