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Hollywood loves making movies about music. Now, we’re not talking movie musicals (although that genre seems to potentially be making a comeback as well) so much as movies about the makers of music.

There’s a particular affection for the juxtaposition of those struggling to make it against those who have already made it; stories of upward and downward trajectories and the intersection of those lines.

“The High Note,” directed by Nisha Ganatra from a script by Flora Greeson, is the latest in this long line of rise-and-decline tales – one that doesn’t venture very far from the fundamentals. This story of a world-famous diva and her aspirational personal assistant doesn’t offer much in the way of surprises, but it’s tough to argue against the relative quality of its execution.

It’s a well-made movie, featuring good performances from its leads. And the music is solid (and in a couple of cases more than solid) – a major key to the relative success of this kind of film. It’s a reasonably entertaining experience; the tune is a familiar one, and there’s nothing wrong with liking a song you’ve heard a hundred times. All in all, the movie is … fine, even if it does occasionally wander off-key.

Published in Movies

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