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When does a villain become a villain? At what point does a person reach the tipping point that sends them spiraling into the darkness? Is it a singular event? Or simply the culmination of a thousand smaller moments? Does it even matter?

These are the sorts of questions that power Suzanne Collins’s “The Ballad of Songbirds and Snakes” (Scholastic, $27.99), a return to the world of her blockbuster “Hunger Games” series. Set over 60 years before the events of that first novel, this latest installment looks at the origins of Coriolanus Snow, President of Panem and general big bad of the initial trilogy.

But what goes into the making of a man so brutally and single-mindedly devoted to the systemic dystopia that is Katniss Everdeen’s Panem? This book introduces us to a young man who desperately wants to be perceived a certain way by the world, who wants nothing so much as to be restored to what he deems his rightful place in society … and who uses a combination of aristocratic charm and subtle ruthlessness to try and achieve that goal.

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