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Stories that spring from the dangers of distance have always fascinated us. Whether they are journeys into the wilderness, across the sea or into the heavens, the perils of separation from those who might help us should emergencies arise can make for compelling drama.

Stories of space travel have largely supplanted those of treks into the wild or over the waves; so many space stories – particularly ones that seek to hew relatively close to the realm of the plausible – revolve around the idea that help will not and cannot come. In space, you’re more or less on your own.

“Stowaway,” the new film directed by Joe Penna from a script that Penna co-wrote with Ryan Morrison, is the latest exploration of the unforgiving nature of the unknown and the emotional consequences that can come with being forced to make impossible choices.

It’s also a crackerjack space movie, one in which care has clearly been taken to maintain a degree of verisimilitude that exceeds that of all but the most meticulously-crafted near-future sci-fi. It’s a taut thriller, one that mines tension from moments that could have felt flat and/or mundane in the hands of another filmmaker.

Published in Movies

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