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It’s hard to make a good movie about the theatre.

You would think that it would be relatively easy, considering the considerable overlap between the two worlds. It’s all about people coming together to tell a story, right? And yet, films that revolve around the theatrical world rarely seem to fully click. Sure, making the stage-to-screen transition with a script is a long-honored and successful tradition, but successful movies set in the theatre? Those come along much more rarely.

But rarely is not never.

Take “See How They Run,” the new film from Tom George. Written by Mark Chappell, it’s a screwball deconstruction of the time-tested murder mystery genre, bringing together layers and metalayers to mine laughs from one of the theatre’s most beloved traditions – the whodunit.

Packed with winks and nods to those of a theatrical persuasion, “See How They Run” offers a shaggy combination of affection for and skewering of the conventions of the theatre. All of it refracted through a foundational lens of the Grand Dame of mystery herself, Agatha Christie. It’s a murder mystery within a murder mystery within a murder mystery – whodunits all the way down.

Published in Movies

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