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Monday, 19 April 2021 15:09

Just another manic ‘Monday’

There’s a rush that comes with those first moments of attraction. The spark of electricity that courses from one person to the next, crackling with excitement and sexual anticipation – it’s often the beginning of something far greater. That’s how the movies portray it anyway.

However, just because that fire is burning from minute one does not mean that the relationship has any kind of real future. The reality is that those quick-hit connections often prove to be little more than infatuations, momentary dalliances. But how do you know if this one, this connection, is the one that is meant to be?

That’s the query at the center of “Monday,” a romantic drama directed by Argyris Papadimitropoulos from a script he co-wrote with Rob Hayes. It’s a story of a passionate weekend encounter between two expatriated Americans in Greece that begins to develop into something more, though it’s unclear if that’s the right thing for either of them.

There’s plenty of heat here, plenty of fire – the sex scene-to-runtime ratio here is REALLY high – to go along with the standard relationship struggles. Sure, it’s not always clear why these people are making the choices they are making, but the truth is that the specifics don’t matter – when you’ve got two people as hot for one another as this duo, it’s all about seeing where the fires lead you.

Published in Movies
Wednesday, 07 February 2018 14:55

Ice ice baby - 'I, Tonya'

There are relatively few truly shared experiences anymore. The proliferation of the internet has led to a cultural splintering that largely prohibits the grand-scale zeitgeist moments that we all witnessed together.

To anyone possessed of even a modicum of awareness in 1994, the name Tonya Harding was a familiar one. She was at the center of one of the most bizarre incidents in sports history when she was involved (or not involved) in the planning of an assault on Nancy Kerrigan, her fellow figure skater and major rival in the 1994 Olympic Games.

“I, Tonya” means to tell that story. And it does, after a fashion, by embracing the strangeness of the situation. Rather than trying to piece together the truth from a collection of wildly differing accounts, director Craig Gillespie and screenwriter Steven Rogers lean into the disparities, bouncing from POV to POV and producing a story that is utterly compelling even as it utterly lacks consistency.

Published in Sports

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