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Sunday, 29 March 2020 15:41

Boom or bust - ‘Anthropocene Rag’

Speculative fiction often offers a glimpse at new beginnings that spring forth from cataclysmic endings. The entire subgenre of dystopian fiction is built largely on the premise. We’re fascinated by the idea of what might rise anew in the aftermath of the collapsing old.

The popularity of that fundamental concept, however, means that the resulting literary work is often wildly variant in terms of quality. Yes, it’s easy to write about the end and what comes after, but it’s exceedingly difficult to do well.

With his new book “Anthropocene Rag” (Tor, $14.99), Alex Irvine does it well.

It’s a sprawling portrait of a future United States where a natural disaster contributed directly to a technological one, the effects of both compounding exponentially in a manner that completely alters civilization as we know it. A small group of people, struggling to carve out a place in this harsh, unforgiving and mercurial world, is offered a unique opportunity. Each is left to wonder not only why they were chosen, but who ultimately has done the choosing?

Told in a deliberately haphazard fashion, leaping from perspective to perspective, “Anthropocene Rag” follows these unlikely pilgrims on their quest across a broken American landscape, one defined in ways overt and subtle by its past even as it has been subsumed by the wave of the future. There’s a new frontier – one that is ever-shifting and unpredictable.

Published in Buzz
Wednesday, 22 January 2020 14:13

Tech-22 – ‘Zed’

Speculative fiction is at its best when it has something to say. From the very beginning, sci-fi has used its trappings to examine and explore the (sometimes harsh) realities of the real world. It reflects and refracts, commenting on where we are and where we might be going.

We live in a world where technology is ubiquitous and a handful of people sit in control of the vast majority of the resources behind that technology. Those people, perhaps more than any elected official, are the ones who hold our societal destiny in their hands. But as we grow ever more reliant on the various forms of tech to live our daily lives, as it infiltrates every aspect of our everyday existence, we must ask ourselves – what happens if those people lose control? What happens if this omnipresent technology stops working the way it is supposed to?

That’s where Joanna Kavenna’s “Zed” (Doubleday, $27.95) takes us. This darkly comic dystopian novel imagines a world not too different from our own, a near-future in which a single company has risen to the top of the food chain and extended its influence into every aspect of society. This company provides the technology on which seemingly the entire world runs. And something’s wrong…

With a biting wit and a discomfiting plausibility, “Zed” offers up a portrait of what might happen if everything – and I do mean EVERYTHING – was dictated by algorithmic whims … and what happens if those algorithms should start to crumble, leaving those at the top to make panicked choices aimed more at protecting themselves than the world around them.

Published in Tekk

There will always be a place for straightforward narrative fiction. There will always be stories that need to be told, tales that move from Point A to Point B and so on, following a linear path from beginning to end. Tales filled with heartbreak and humor, driven by plot and character.

But sometimes? Sometimes, you just want to get weird. And for those times, well … Jeff VanderMeer can help you out.

VanderMeer – one of our leading purveyors of the literary subgenre dubbed “weird fiction” – has a strange and exquisitely opaque new novel. “Dead Astronauts” (MCD, $27) is a prequel of sorts to his equally bizarre 2017 novel “Borne,” its title a reference to a line in that previous book. It brings us back to the ravaged future VanderMeer created for “Borne,” only slightly earlier in the timeline of that technocorporate dystopia.

It is a challenging experiment of a novel, marked by the vivid weirdness and repetitive complexity that features prominently in VanderMeer’s work. There’s a narrative fluidity to it all, marked by an odd combination of optimism about and suspicion toward technology and the way it impacts the world around us in ways both miniscule and massive.

Published in Style

Memory is a powerful thing. Certain memories are so vibrant, so potent, that recalling them almost feels as though we’ve been transported back to the moment in which they took place.

But just how real could that sense of transport truly become?

That’s one of the central notions in “Recursion” (Crown, $27), the new novel from author Blake Crouch. It’s an exploration of what might happen if mankind was allowed to use our most vivid memories as a gateway to what came before. It’s a compelling thriller built on big ideas – typical of Crouch’s thought-provoking sci-fi sensibility.

Published in Buzz

If history has taught us anything, it’s that when people are confronted with an invasion, they inevitably fall into one of two categories: collaborator or resistor. It has been that way in every war that has ever been fought; when enemy forces take over, some will fall in line and others will fight back.

There’s no reason to think that that would somehow change if said forces came not from another country, but from another world.

That’s the basic gist of “Captive State,” an alien occupation thriller directed by Rupert Wyatt from a script he co-wrote with Erica Beeney. It’s a story of what it means to live under the rule of an enemy that seems too powerful to overcome – and what it means to stand up to that enemy anyway.

It’s not a particularly subtle movie; it wears its ideas on its sleeve and is more about blunt force than surgical precision. The story is a bit overlong as well and meanders through its middle third. However, the low-fi aesthetic is interesting and there are some good performances. Add it all up and you get an acceptable (and forgettable) sci-fi outing.

Published in Movies

What would you do if you found yourself in a world that was similar to your own, yet undeniably different? What if you were displaced by tragedy, only to wind up in a place where you were largely unwanted? What if your old life was erased, leaving you with just a few scraps of memory?

Those are the questions at the heart of K. Chess’s excellent “Famous Men Who Never Lived” (Tin House Books, $24.95). It’s a wonderful piece of speculative fiction, following two people who find themselves adrift in a place that is just different enough from their home to be jarring and unsettling. They are surrounded by people who view them as other – as alien – and their connection to the past grows ever more tenuous as they try desperately to remain connected to whatever cultural consciousness to which they can cling.

Published in Style
Wednesday, 20 February 2019 13:53

‘Alita: Battle Angel’ fights the good fight

Considering the popularity of sci-fi/fantasy fare, you’d think that Hollywood would be better at adapting Japanese anime and manga for American audiences. However, whether it’s a cultural divide or an aesthetic difference or what have you, the undeniable appeal of those properties usually winds up getting lost in translation.

So when I started seeing ads for “Alita: Battle Angel,” I was skeptical. Based on Yukito Kushiro’s popular “Gunnm” manga from the early 1990s, it’s the sort of complex, thematically dense work that Hollywood has traditionally screwed up. Why would this time be any different?

But then I looked closer. It’s a marvelous collection of talent. You’ve got Robert Rodriguez, one of the best “genre” filmmakers of his generation, directing. Rodriguez also co-wrote the screenplay alongside Laeta Kalogridis and James Cameron – yes, that James Cameron – who also served as producer and has been moving this project forward for the better part of two decades. Oh, and there’s also an incredibly talented cast featuring far more Oscar winners and nominees than you might have anticipated for a seemingly straightforward sci-fi shoot-‘em-up.

Does it live up to that pedigree? Maybe not quite; there are some clarity issues regarding the storytelling and a few uncanny valley concerns regarding the CGI. However, there’s no disputing the vivid visual nature of the film; there are dynamic set pieces scattered throughout. And the performers all treat the material with due respect, resulting in nuanced and complex performances beyond the standard genre fare.

Published in Movies

From its very beginnings, speculative fiction has been used to comment on the world in which we live. Sometimes, it’s a lens that allows closer examination and subsequent extrapolation; other times, it’s a mirror that forces us to look at a potentially unsettling reflection. The very best often does both.

The new collection “A People’s Future of the United States: Speculative Fiction from 25 Extraordinary Writers” (One World, $17) – edited by Victor LaValle and John Joseph Adams – offers numerous examples of just how good that very best can be. They are stories that look forward from our current fractured place and project just how our societal journey might progress if we remain on certain paths. There are bleak prophecies and optimistic hopes, tragedies and triumphs – all of them springing from similar starting points.

Published in Buzz
Tuesday, 22 January 2019 20:43

What dreams may come – ‘The Dreamers’

In a world where sleep may be never-ending, what manner of dreams may come?

That’s the foundational question posed by Karen Thompson Walker’s literary sci-fi novel “The Dreamers” (Random House, $27) … but it’s a question with many answers. Through an inexplicable epidemic, Walker offers up an illustration of how tenuous our grasp on a collective reality truly is. We all see the world differently whether we’re awake or asleep - and it doesn’t take much to make everything change.

Published in Style

There’s something freeing about walking into a movie that you know is going to be bad. Sure, you strive to enter into a cinematic experience with an open mind, but the truth is that keeping the bar nice and low can be beneficial to all involved.

However, there are some films where the bar simply can’t be lowered enough. Films like “Replicas.”

“Replicas” is so bad as to be baffling. The story is nonsensical, a jumble of illogical decision making and word salad jargon. The effects border on the laughable; the CGI work would have been bad a decade ago, let alone today. And the performances are wooden to the extreme, with the shocking exception of star Keanu Reeves, who might be the most emotive performer in a cast for the first time in … ever.

Published in Movies
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