Admin
Tuesday, 07 January 2020 12:46

‘Little Women,’ big feelings

No matter how voracious a cultural consumer we might be, the reality is that there’s just too much out there for anyone to experience it all. Too many books to read, to many songs to hear, too many films and plays and shows to watch. There will always be gaps.

For instance, I myself have a “Little Women”-shaped hole in my own cultural experience. Despite the relative ubiquity of Louisa Mae Alcott’s classic novel and its multitude of film and stage adaptations, I had never directly engaged with the story. I never read the novel, nor saw it on stage or screen. Yes, I had a very basic awareness due to its cultural presence, but it boiled down to basic timeframe, number of sisters and the plot point that Rachel spoils for Joey on an episode of “Friends.”

So I wondered what kind of experience I would have seeing this new “Little Women” cinematic adaptation. It comes courtesy of Greta Gerwig, who wrote the screenplay as well as directed, and features an absolutely stacked ensemble cast. Obviously, the odds were in favor of this being a good movie. But would my lack of familiarity hinder my enjoyment?

Turns out I worried for nothing, because not only is “Little Women” a good film, it is a GREAT film. It is masterfully constructed and beautifully composed, featuring a wonderful period aesthetic and absolutely incredible performances. It stays true to the truths of the material’s history while also finding ways to endow those truths with elements tied to our own modern world. It’s an incredible feat of filmmaking, one that is almost certainly even better than you think it is, no matter how good you believe the movie to be.

Published in Style
Wednesday, 09 January 2019 13:51

Royal rumble – ‘Mary Queen of Scots’

There are few things that grab the attention of film award voters quite like royalty. They LOVE prestige fare about kings and queens; can’t get enough of it. Crowns and capes and thrones, palace intrigue and clanging swords and righteous rhetoric. These movies are almost always good, but to be better they need … something.

Maybe it’s a killer cast. Maybe it’s a filmmaker with a unique, unconventional perspective. Maybe it’s particularly compelling source material.

Or maybe, like with “Mary Queen of Scots,” it’s all three at once.

You’ve got two of Hollywood’s most talented young actresses leading the way in Saoirse Ronan and Margot Robbie, with four Oscar nominations between them. You’ve got a director in Josie Rourke who has never directed a film before but has extensive and acclaimed experience as a stage director of work both classic and contemporary. And you’ve got the story of the titular queen’s life as adapted from John Guy’s pioneering biography “Queen of Scots: The True Life of Mary Stuart.”

And yet … it never manages to quite get over the top. While the performances from both Ronan and Robbie are outstanding and the look and tone of the film are suitably epic in scope and scale, the narrative is a bit overstuffed and lacking in specificity. Too often, things happen because they’re simply next on the list, rather than with any sort of agency or urgency behind them, which leads to more story-borne borderline-soapy melodrama than you might hope for in a film like this.

Published in Movies

This year marks the 75th awarding of the Golden Globes, honoring the best in film and television as determined by the Hollywood Foreign Press Association.

It also marks the first time that I’ve attempted to predict them.

Despite having devoted considerable energies to Academy Awards previews over the past decade, I’d never undertaken to predict their earlier, often portentous peers. Sure, the Globes might not have the same gravitas as the Oscars, but they still warrant at least a little attention.

(Note: While the Golden Globes recognize television as well as film, my focus is on the cinematic side of things. So while I made picks in all categories, I only went in depth on the cinematic side of things.)

Let’s go to the Globes.

Published in Movies
Friday, 01 December 2017 11:33

Learning to fly – ‘Lady Bird’

We’re going to go ahead and dispense with the formalities on this one. No need to bury the lede – “Lady Bird” is an absolutely exceptional film, one of the funniest, most honest, most genuine coming of age stories we’ve seen on the big screen in years.

Published in Movies
Wednesday, 03 April 2013 12:26

The Host' with the least

Author Stephanie Meyer has a legion of adoring fans thanks to her best-selling 'Twilight' series of books. And the movies based on those books have grossed over $2 billion (yes, with a 'b') at the worldwide box office. So it stands to reason that Hollywood would leap at the chance to make a film of 'The Host,' Meyer's latest novel.

This time, it's aliens instead of vampires and werewolves. But never fear the empty-headed romances and ludicrous plot developments are still there. And really, what more could you want?

Published in Movies

Advertisements

Website CMS and Development by Links Online Marketing, LLC, Bangor Maine