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One of the many unfortunate side effects of 21st century cinema’s affinity for franchises is the occasional appearance of the years-later sequel. These movies continue stories on which the book had closed a decade or more in the past. They are almost always bad ideas across the board, woeful misfires that fail to capture or even understand what made their predecessors so beloved in the first place.

Note that I said “almost always,” because it is possible for one of these films to actually prove to be a worthwhile continuation, a new chapter that both expands upon and embraces the legacy of the movie or movies that came before.

“Bill & Ted Face the Music” is just such a chapter. Reuniting Alex Winter and Keanu Reeves as the titular duo, the film captures the essence of what made these characters resonate 30 years ago while also allowing them to tell a different kind of story, a story of adulthood and the pressures of expectations and the challenges that come in a life that lacks balance … even as they remain in many ways the same amiably goofy dudes that they’ve always been.

It’s also a story of family and what it means to live up to a legacy, of how the next generation’s ideas about the world are impacted by those who came before, but not always bound by them. It’s about the frustration of having a path dictated for you and the disappointment when it proves too difficult to properly follow. It is weird and hilarious and moving, sweetly and unapologetically strange.

Published in Movies
Tuesday, 27 August 2019 18:00

Here comes ‘Ready or Not’

Blending genres effectively is one of the more difficult things a filmmaker can try to do. Putting disparate elements together in a manner that is balanced and effective isn’t easy, which is why so many efforts to do so wind up falling flat.

Horror-comedy is one of the worst offenders; for every “Evil Dead” or “Cabin in the Woods,” there are a half-dozen failed experiments littering late-night cable and the lower tiers of streaming algorithms. The real successes are few and far between.

But here’s the thing - “Ready or Not” is one of them.

Directed by the team of Matt Bettinelli-Opin and Tyler Gillett from a screenplay by Guy Busick and R. Christopher Murphy, this story of one woman’s efforts to survive the night after discovering that her new husband’s family has a dark and sinister secret – one that requires that she be dead by dawn.

It’s a sharp and subversive spin on the age-old “final girl” standard, one that embraces the tradition of the trope while simultaneously recognizing its inherent ridiculousness. It mixes over-the-top violence with self-awareness, never once losing sight of the basic absurdity underlying most horror narratives. It is bloody and funny and bloody funny.

Published in Movies

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