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Biopics are actually pretty easy to make. Take your standard music biopic, for example. You’ve got a prominent figure who has lived a life in the spotlight, one with already extant stakes and needle drops just waiting to happen. Telling the story of someone when there’s a built-in audience ready to hear it? Yeah – easy.

Making a GOOD biopic, well … that’s another story.

Now, the line can be a bit blurry. There’s a lot of mediocrity out there in the music biopic sphere, but sometimes that mediocrity can be elevated into something more – more engaging, more impactful – if both the central figure and the person playing them are compelling enough.

Take “Respect,” the new Aretha Franklin biopic directed by Liesl Tommy from a screenplay by Tracey Scott Wilson. In many ways, it epitomizes the formulaic nature of the genre – beat by beat, it seems to evoke all of the cliches that come with making this sort of film. There’s a paint-by-numbers quality to the proceedings; even the aspects of the story with which we are not familiar are rendered in an extremely familiar way.

And then there’s Jennifer Hudson.

Hudson offers up a legitimately incredible performance as Franklin. She embodies and evokes the Queen of Soul with a fiery, flawed majesty that is absolutely mesmerizing to watch. We all know that Hudson can sing, of course (though the justice she does to some Aretha classics impresses and surprises nevertheless), but it’s her work as the woman rather than the singer that makes this a transcendent turn. Her efforts explode outward from the so-so framework by which she has been surrounded – she’s unforgettable in an otherwise forgettable film.

Published in Movies

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