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I’ll be the first to admit that much of the current cinematic landscape leaves a lot to be desired. Formulaic blockbusters laden with CGI, too-similar stories being told again and again. And I assume it’s challenging for an actor who is serious about their craft to treat them, well … seriously.

That said, there’s nothing worse than watching a famous actor go through the motions in one of these films, clearly there for a check and trying their damnedest to appear above it all. You can’t always pick up the full “I’m too good for this” vibe, but when it’s there, it’s a downer.

But there’s a flip side. The flip side is when actors who are wildly talented and incredibly devoted to their work gleefully embrace the madness and go for it. That’s when you can see real joy, these performers who understand that what they do is about play and that every character, no matter how seemingly strange or nonsensical, can shine so long as that character is treated with respect.

Tom Hardy is an incredibly talented actor. He is also, by every indication, a strange dude. But one thing you can say for certain – no matter what the situation, Hardy is ready to give everything he has. And in his new movie “Venom: Let There Be Carnage,” he has clearly been told to go big.

And he. Goes. Big.

The film – a sequel to 2018’s “Venom” – is directed by Andy Serkis from a screenplay by Kelly Marcel (it’s worth noting that Hardy has a story credit). It’s a glorious mess of a movie, a slapdash mélange of buddy comedy and superhero CGI and weird body horror that absolutely should not work … and yet it does. Well, kind of. It’s an uneven experience, one where the story sometimes gets lost in the noise. But hey – the noise is a hell of a lot of fun.

Published in Movies
Tuesday, 18 June 2019 19:31

Don’t sleep on ‘Late Night’

As a rule, small movies struggle in the summertime. There’s only so much oxygen in the room during Hollywood’s Memorial Day-to-Labor Day promotional blitz, so it’s easy for a low-budget, non-franchise movie to get lost in the shuffle.

Most of the time, that would be the fate of a movie like “Late Night,” the Mindy Kaling-penned comedy directed by Nisha Ganatra and starring Kaling along with Emma Thompson. But this isn’t most of the time, thanks to Amazon purchasing the distribution rights at Sundance; with the power of Bezos behind it, the movie was able to elbow its way to a place at the table.

And it’s a good thing, too, because this movie is one of the funnier offerings we’ve seen thus far in 2019, a smart and sharp workplace comedy with something to say. It’s a film with bite, one willing to tell its story from a perspective we don’t often see. Toss in a killer cast and a legitimately funny script and you’ve got something special.

Published in Movies

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