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One of the joys of awards season is the opportunity to not just see excellent films, but to see films that are excellent in ways that you hadn’t anticipated.

Take “The Favourite,” for instance. It’s a period piece set in the court of England’s Queen Anne in the early 18th century; it tells the story of two women battling to curry favor with her. There are phenomenally talented performers in those three leads and excellent actors up and down the roster. Sounds pretty straightforward, no?

But then you learn that the director is noted weirdo auteur Yorgos Lanthimos and that the central conflict has a healthy amount of psychosexual manipulation and a little slapstick anachronism to accompany the palace intrigue and things are DEFINITELY not straightforward anymore. Excellent, for sure, but not straightforward.

“The Favourite” is an odd amalgamation, a sex farce in costume drama’s clothing … and it works wonderfully. It is sumptuously filmed and audaciously performed, an utterly fearless and unapologetically strange film. It is a cracked-mirror Merchant-Ivory production, a great piece of cinema that arrives at that greatness via paths both conventional and surprising.

Published in Movies
Disney offering offers decent family fun

There are few places in cinematic history as iconic as the Land of Oz. 1939's 'The Wizard of Oz' is more than a family classic; it's a pop cultural touchstone as significant as any in film. Plenty of subsequent artists have returned there in the years since, with varying degrees of success. Big-screen trips to Oz have basically been flops.

'Oz the Great and Powerful' is Disney's latest attempt (their last was 1985's 'Return to Oz') to travel down the yellow brick road. 

Published in Movies

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