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Among the odder developments of the last decade or so of big-budget moviemaking is the Disney trend of making live-action versions of their beloved animated classics. The powers that be at Big Mouse saw the opportunity to commodify nostalgia to an even greater extent than they already had, resulting in a spate of films that turned cartoons into the third dimension (though in some respects, “live-action” is a bit of a misnomer – there’s still LOADS of computer animation at work in these films).

Of course, the ongoing success of these films – not always critically, but definitely commercially – meant that we would keep seeing largely unnecessary remakes being trotted out to be eagerly consumed by those looking for new ways to engage with old memories.

Which brings us to “Pinocchio,” the latest effort to reengage with a beloved classic. This one – directed by Robert Zemeckis, who also co-wrote the adapted screenplay alongside Chris Weitz – offers audiences a new look at the beloved tale of a marionette granted sentience and his quest to figure out how to become a real boy, with plenty of adventures along the way.

Unfortunately, this film suffers from the same big issue that many of its live-action remake brethren do – it simply feels unneeded. That isn’t to say that it’s terrible – it’s generally inoffensive, with a few interesting moments. It’s just that it’s hard to feel that strongly about a film that we have, in essence, seen before.

Published in Movies

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