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Monday, 06 September 2021 13:58

‘Cinderella’ a musical misfire

Every time we see another remake/reboot/reimagining of a classic tale, it begs the question: is this necessary?

Look, I’m not naïve – I recognize the nature of the business, with the familiarity of IP ruling the day. Even so, you have to wonder whether what we’re getting is something that people actually want to watch. Are people clamoring to see some vague variation on a story they’ve seen a thousand times before?

The folks behind the new “Cinderella” – currently streaming on Amazon Prime Video – seem to think so. As to whether they’re right, well … I have my doubts.

This new version of the classic fairy tale is directed and adapted for the screen by Kay Cannon, best known as the writer of all three films in the “Pitch Perfect” series. Basically, it’s the story you know with a few feints at feminine empowerment and a whole bunch of pop songs that have been put through the musical theatre wringer. It’s OK for what it is, but the truth is that it’s basically a mediocre jukebox musical and not much else.

This is a story that feels polished to within an inch of its life, to where there’s almost nothing there, all style and no substance, despite its best efforts to have you believe otherwise. It’s like a gift, gloriously sparkly and beribboned, festooned with all manner of decorative accents, but when you open the box … there’s nothing inside.

Published in Movies

Baby horror has long been a vital subgenre beneath the horror umbrella. The possibilities that come with the fundamental mysteries of pregnancy and giving birth are myriad. You can do demonic possession or supernatural rituals or weird science, all with a body horror underpinning that comes part and parcel with the whole situation.

Of course, these movies aren’t always good.

Take “False Positive,” newly streaming on Hulu. I had high hopes for this one, honestly. Ilana Glazer stars and co-wrote the script with director John Lee. Both of them have some legitimately weird credits to their name. Throw in Justin Theroux and Pierce Brosnan as co-stars and you’ve got my attention.

Unfortunately, while the film starts with some real promise, it never quite gets to where we want it to be. Instead, it devolves into a muddled mishmash of dream sequences and “What is real?” psychodrama that never finds its footing after the strong start. Too many decisions make little or no sense; there’s never any sense behind why people are behaving the way that they are. We’re left with a confusing and ultimately unsatisfying film that never quite decides what it wants to be. Again, there are moments of strength, but not nearly enough of them.

Published in Movies

I love me a movie musical. My deep and abiding affection for the joy and wonder of the genre is well-documented. So it should come as no surprise that I was interested in checking out “Mamma Mia: Here We Go Again,” the sequel to 2008’s blockbuster hit “Mamma Mia.”

But here’s the thing – I had never SEEN “Mamma Mia.” This despite not just the aforementioned movie musical love, but an actorly crush on Meryl Streep AND a long-standing affinity for the music of ABBA! It makes zero sense that I would not have seen that film. And so, I rectified that fact before taking in the sequel.

You don’t need me to tell you about the first film, but I can tell you that “Mamma Mia! Here We Go Again” stays largely true to the unabashedly dorky spirit of its predecessor, packed with impromptu musical numbers and hammy scenery chewing and the inarguably outstanding music of ABBA. It also makes the unusual choice of serving as both a sequel AND a prequel to the original, roughly splitting the story between the two timelines. It is campy, winking and just delightful.

Published in Movies
Wednesday, 18 October 2017 08:23

‘The Foreigner’ falls flat

Revenge movie lacking in intrigue, action

Published in Movies

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