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BANGOR – Penobscot Theatre’s latest production is something quite different, a phantasmagoric feast … for the ears.

The first production as part of Digitus Theatrum, PTC’s all-digital season, is “Ghost Postcards from Maine,” an original audio experience featuring five new tales of terror from Maine writers and brought to life by some of your PTC favorites. The streaming show is available through November 8 and is available at www.penobscottheatre.org or by contacting their box office at 942-3333.

The theatre commissioned five writers – Travis Baker, Sam Collier, Carrie Jones, Michael Kimball and Robin Clifford Wood – to create new stories inspired by some of Maine’s ghostly legends. These stories run the thematic and stylistic gamut, each lending a unique perspective on some of our state’s scariest stories. Some will likely be familiar, while others will be new to you, but regardless, the end product here is an audio experience unlike anything you’ve ever heard, a ghoulishly good time for this Halloween season.

Published in Buzz

BANGOR – Adapt. Adapt. Adapt.

That’s what so many performing arts organizations have had to do over the past few months. The pandemic has completely upended the model, leaving thousands of people scrambling to figure out how to go forward in this new landscape.

And that’s what Penobscot Theatre has done: Adapt.

PTC has officially announced their 47th season. Titled “Digitus Theatrum,” the 2020-21 slate was shared with the public by Producing Artistic Director Bari Newport via a virtual town hall event held Aug. 17. It is the most unique schedule in the history of the company, a collection of online offerings that are unlike anything many theatregoers have ever seen.

From a haunted audio adventure to a holiday puppet extravaganza, from a homegrown collection of solo works to an avant-garde theatrical adventure, Digitus Theatrum isn’t the theatre to which we are accustomed. It is something different, a collection of ideas that is somehow both pragmatic and ambitious.

PTC will be offering a variety of subscriptions and a wealth of programming for audiences of all ages over the course of the season, with their mainstage bill of fare enhanced by a variety of new and different kinds of creative entertainment. For information about ticket and subscription options, contact the PTC box office at 942-3333 or visit the theatre’s website at www.penobscottheatre.org.

Published in Cover Story

BANGOR - Penobscot Theatre Company has announced its 47th season, an assortment of plays and musicals professionally produced and staged at the company’s historic home.

After the unexpected curtailment of the current season, Penobscot Theatre Company looks forward more than ever to lighting-up the marquee and welcoming patrons to the historic Bangor Opera House for the 2020-21 Season. Performances are set to begin just after Labor Day and extend into early July. 

“We have great confidence in the future of Penobscot Theatre Company and we’re eager to share an extraordinary line-up,” said Producing Artistic Director Bari Newport. “By subscribing, you’re committing to Penobscot Theatre Company - to our institution, to the artists you’ve grown to love and to the value of theatre in our community. Of course, the health and safety of our artists and audience are our highest priority, and we’ll remain closely attuned to public health guidelines in the coming months.  Improvisation is at the heart of our craft and if we must adjust our plans, we will; but at this time, based on all the information at our disposal, we’re proceeding cautiously but optimistically.” 

Published in Buzz

BANGOR – One of the most challenging and beautiful theatrical works to grace an area stage in years took place at Penobscot Theatre last weekend. Alas, it saddens me to say that due to the current circumstances, you won’t be able to watch it from a seat in the Bangor Opera House.

That’s the situation with Penobscot Theatre Company’s new production. “Safety Net,” a play written by Daryl Lisa Fazio and directed by PTC’s own Tricia A. Hobbs. While the measures taken in recent days due to the spread of the COVID-19 virus mean that the Opera House seats will remain unfilled, PTC is hoping to take unprecedented action of its own.

Here’s how it’s going to work. Through this next week – up to March 22 – PTC will be presenting a livestream of the production at regular showtimes. From Wednesday through Sunday, March 18-22, the company will present a real-time video performance of the show. Tickets can be purchased in the usual way via the PTC website – www.penobscottheatre.org. Purchasers will be given instructions, a link and a password dedicated specifically to the night of their ticket purchase. It might not be the usual manner in which you see a play, but I’d advise you to take advantage of it.

Because any way you slice it, this is a remarkable piece of theatre.

(Full disclosure: I can’t speak to the experience of watching this show on video. I was one of four non-production personnel in the house for one of the early performances. But if watching it on a screen is even a tenth as impactful as seeing it on stage, it will be worth every cent and every second you spend on it.)

Published in Buzz

BANGOR – Silly schemes and sexy shenanigans are unfolding (and undressing) at the Bangor Opera House.

Penobscot Theatre Company’s latest production is the farce “Don’t Dress for Dinner,” adapted by Robin Hawdon from Marc Camoletti’s “Pyjama Pour Six.” Directed by Chris “Red” Blissette, the show runs through February 16.

It’s a madcap whirlwind of amorous misfortune and mistaken identity, with the questionable-at-best decisions made by a group of oversexed friends and lovers resulting in an ever-escalating spiral of lies that threatens to blow up at every turn. And with every untruth, the collapse comes closer. Will any of these relationships survive the night?

All of this playing out in a high-octane dance of entrances and exits and – of course – slamming doors galore, driven by a first-rate ensemble. It’s energetic and entertaining, a frothy bit of fun that will induce some warming, welcome laughter at this ever-so-cold time of the year.

Published in Style
Tuesday, 10 December 2019 12:05

‘Matilda: The Musical’ a magical good time

BANGOR – The power and importance of storytelling is springing to life at the Bangor Opera House this holiday season, courtesy of one very special little girl.

Penobscot Theatre Company has opened their production of “Matilda: The Musical,” based on the classic children’s story of the same name by Roald Dahl, with book by Dennis Kelly and music & lyrics by Tim Minchin. The PTC production – directed and choreographed by Jeff Payton and Matthew Shaffer with music direction by Phil Burns – runs through December 29.

It’s a huge undertaking for PTC, with a massive, kid-heavy cast and a significant logistical load on the production side. It’s the sort of show where the spectacle of the thing is an integral aspect of the proceedings; the bigness of it all is baked in. And thanks to some great performances and bold aesthetic choices, this huge undertaking is a successful one.

Published in Buzz

December is here, and hence the holiday season is in full force. The snow has started falling, the lights have started shining and the shopping has started in earnest. Hopefully, you’re out there shopping local whenever you can – a thriving community depends on consumers buying from their neighbors.

But shopping local doesn’t end with retail. You should shop local when it comes to your Yuletide entertainment as well. And here’s the thing – you can do that, because there is an embarrassment of riches out there for locally-offered holiday performance.

Sure, you could sit at home and watch “It’s a Wonderful Life” for the umpteenth time or run through your Christmas Spotify playlist. But where’s the fun in that?

Especially when you take into account that our region is absolutely jammed with possibilities. There are stage shows and concerts galore. There is comedy and drama and so much music. There are holiday classics and brand-new creations. All of it right here in your backyard.

Look, if you want to stay home and drink hot toddies in front of a roaring fireplace, that’s perfectly OK. No judgment – sounds like you’ve figured out what it is you want from the holiday season and life in general. But if you’re looking to be entertained, well … you’re in luck.

In recent years, it seems as though every December has had a wealth of options. But this year more than ever, it feels like there really is something for everyone out there.

Please note that this isn’t even close to everything out there. I’ve just chosen a handful of options that might pique your interest. Keep your eyes open and your ears to the ground, because there is just so much out there, with so many people celebrating with their own joyful noises.

Published in Cover Story
Tuesday, 22 October 2019 13:28

PTC’s ‘Gaslight’ lights up the stage

BANGOR – All is not as it seems on the stage of the Bangor Opera House.

Penobscot Theatre Company is presenting “Gaslight,” the 1938 play by Patrick Hamilton. This Victorian Era-set melodrama is directed by Bari Newport; the show runs through November 3. It’s a thrilling tale of deceit, a story where not even the evidence of one’s own eyes can be trusted.

This play – and the subsequent film adaptations – led to the inception of the term “gaslight,” defined by Merriam-Wesbter as follows: “To attempt to make (someone) believe that he or she is going insane (as by subjecting that person to a series of experiences that have no rational explanation.”

In this story, a woman whose grip on the reality of the world around her is steadily crumbling must confront the fact that there’s far more to her descent into madness than she could ever have imagined. She’s left with no idea who to trust and forced to come to terms with the notion that there are those close to her who may have sinister motives.

PTC is offering up some full-on back-of-the-hand-to-the-forehead melodrama, with all the shadowy sumptuousness and flamboyant flourishes that that entails. It is big and broad and overtly theatrical, easily overcoming a somewhat-dated script with rich production values and wonderfully toothsome performances.

Published in Buzz

BANGOR – The music of an American icon is ringing forth from the stage of the Bangor Opera House.

Penobscot Theatre Company’s production of “Woody Guthrie’s American Song” – conceived and adapted by Peter Glazer from the songs and writings of Woody Guthrie – is directed by Chris “Red” Blissett and music directed by Jeremy Sevelovitz, both of whom also star. The show runs through Sept. 29.

It’s a celebration of the legendary life of Woody Guthrie, one that uses his vast catalog of songs and an assortment of other writings to tell a tale of early 20th century America. With six actors taking turns embodying Guthrie himself, sharing his stories of the common man and the hardscrabble lives being lived by the struggling population through times of war and depression. Heather Astbury-Libby, John Burstein, Gaylen Smith and Tova Volcheck join Blisset and Sevelovitz to bring this performance to life.

Published in Style

BANGOR – Bangor’s professional theatre company is getting ready to kick off the 2019-2020 season.

Penobscot Theatre Company is launching into its 46th season in just a couple of weeks. The company has been a mainstay of the region’s cultural scene since its very beginnings back in 1973 – nearly half-a-century ago – growing right along with myriad other aspects of the city’s vibrant evolution.

For year 46, Artistic Director Bari Newport and her team have put together another interesting, engaging season – one aimed at connecting with all manner of audiences.

“We pride ourselves on doing a wide variety of work,” Newport said. “And next season is a perfect example. The wide demographic that we reach, both geographically and in terms of interest level. ‘I like comedies.’ ‘I like to bring my family.’ ‘I like new work.’ ‘I like musicals.’ ‘I like historical pieces.’ ‘I like dramas.’ We truly reach a wide variety of different types of people and I want our season to reflect that.”

It is a wide-ranging season, to be sure – from musicals and dramas to farces and one-woman shows, this program has got them all. If the mission is to try to come up with something for everyone, it seems clear that this is mission accomplished.

“We've been really focused on being distinctive,” said Newport. “And I think that we are. I think that our work is very much our own. I think it’s vibrant and optimistic and colorful – energetic. We try to really dig in to every aspect.” 

Let’s take a closer look at PTC’s 2019-2020.

Published in Cover Story
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