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I’ve got a long-standing fascination with movies about gamblers and gambling. The combination of inherent insular tension and a tendency toward morally complex and ethically flexible characters results in films that hit me just right. Doesn’t matter if the story is meant to be redemptive or if we’re just spending time in this world or if we’re living somewhere in between – I’m here for it.

“The Card Counter,” the latest from auteur writer/director Paul Schrader, definitely exists in that nebulous middle ground. It’s a character study of a professional gambler who attempts to find some small degree of atonement for his past sins, only to wind up drawn back into darkness.

It’s also a throwback, evoking the spirit of ‘70s New Hollywood – unsurprising since that’s the era in which Schrader cut his screenwriting teeth. It is aesthetically distinctive and meticulously paced, telling the sort of small-scale yet sweeping story at which he excels. And by placing a talent as significant as Oscar Isaac at its center, Schrader ensures that the narrative is in supremely capable hands.

Published in Movies

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