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Monday, 02 August 2021 12:22

Welcome to the ‘Jungle Cruise’

Oh look – another Disney movie based on a theme park ride. It’s been a while.

From a financial perspective, making something like “Jungle Cruise” makes perfect sense. Slap the name of a familiar attraction on an action-adventure type movie, cast a charismatic movie star in the lead and watch the cash roll in. “Pirates of the Caribbean” already showed us the massive box office potential of this formula – why not give it another go? It’s going to make money.

From an artistic perspective, well … it’s going to make money.

The film, which stars Dwayne Johnson and Emily Blunt, is an effort to adapt Disney’s popular ride to the big screen. Directed by Jaume Collet-Sera, it’s a familiar attempt to adapt preexisting IP into a new format in which it can be further monetized. That’s a cynical reading, obviously, but doubtless an accurate one.

As for the actual movie? It’s fine, a pleasant enough diversion; at the very least, it’s a movie that a family can watch together (though there are some moments that might prove a bit much for younger viewers – it’s rightfully rated PG-13, for whatever that’s worth). The charm and charisma of the two leads, along with other talented performers, allows for an enjoyable experience, even if things do get a little muddled by the thin plot and general CGI morass.

Published in Movies

The constant churn of Netflix, forever turning out project after project, is such that one can never be sure of the quality (or lack thereof) of a given movie. It also means that it can be very difficult to know exactly what one is getting into when they sit down to watch. That said, the churn also results in a wide array of different sorts of movies, running the genre gamut and offering unique opportunities.

“Gunpowder Milkshake” currently streaming on the service, is just such a unique opportunity. The film, directed by Navot Pushapado from a script he co-wrote with Ehud Laveski, is a stylized pastiche of a movie, riddled with homages to an assortment of action and action-adjacent offerings that came before. Some of those nods are overt – the influence of the “John Wick” franchise is all over this movie – while others are a bit more subtle (though that’s likely the last time you’re going to hear anyone use the word “subtle” in reference to this film.

It’s part action thriller, part mother-daughter drama, rife with high-octane set pieces interspersed with moments of fraught emotion. Driven by an exceptional cast and an over-the-top aesthetic, it’s a film whose strengths far outstrip its flaws, resulting in a lurid and loony good time at the movies.

Published in Movies

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