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When a film trots out the phrase “based on a true story,” that can mean a lot of things, from a meticulous recreation of well-documented events (albeit with some dramatic license) to a largely constructed fiction that borrows a couple of ostensibly true elements from a preexisting story. But if the “true story” in question already has a complicated relationship with veracity?

Well … then you get “The Conjuring” films.

The latest installment in the increasingly sprawling horror franchise is “The Conjuring: The Devil Made Me Do It.” It’s the third “Conjuring” film proper, though there have been a number of spin-off/tangentially connected movies as well. Directed by Michael Chaves from a screenplay by David Leslie Johnson-McGoldrick, it’s a continuation of the supernatural adventures of paranormal investigators Ed and Lorraine Warren.

As with any franchise, the law of diminishing returns is in play; this one is no exception. While it does feature some solid performances and a couple of decent jump scares, the truth is that this new offering doesn’t reach the level of the previous two films in the series.

Published in Movies
Tuesday, 12 November 2019 12:44

‘Midway’ tries to fight the good fight

The Battle of Midway is considered one of the major turning points in World War II. The victory by U.S. forces over the Japanese Navy prevented Japan from taking control of the Pacific Ocean and bringing devastation to America’s west coast. The United States was outnumbered and outgunned, but thanks to the bravery of the men in the fight and the brilliance of those plotting the course, they emerged victorious.

It’s an obvious choice to receive the cinematic treatment. Indeed, the battle was the namesake of a star-studded 1976 film. Now, over 40 years after that film and over 70 since the battle itself, moviegoers are getting another look at that historic fight on the big screen.

Too bad it isn’t a better movie.

Director Roland Emmerich, whose name has become a kind of shorthand for big-budget Hollywood films that are heavy on the explosions and light on the … everything else, brings us “Midway.” While he certainly understands the spectacle that comes with war movies, he doesn’t quite capture the subtler aspects of the story the way one might hope.

It’s not that the film is bad, per se – it’s just a bit heavy-handed, both in terms of the CGI battle scenes and the interpersonal relationships. To his credit, Emmerich has assembled a talented cast that is able to somewhat alleviate the issues with both his direction and Wes Tooke’s screenplay, lending the proceedings a depth that otherwise wouldn’t be there. The end result is a moviegoing experience that is fine, but no more than that.

It’s a story that warrants telling; it’s just too bad that it isn’t better told.

Published in Movies
Sunday, 23 December 2018 00:06

‘Aquaman’ works swimmingly

It’s no secret that DC is trailing Marvel significantly when it comes to their respective cinematic universes. Marvel has turned the MCU into a content-churning, money-printing machine, while DC’s process has been a good deal less smooth. Marvel is celebrated, DC is denigrated.

It appears that DC might be learning their lesson, though. While many of their early efforts at developing their shared universe have focused on the bleak grimdarkness that the success of Christopher Nolan’s Batman films convinced them that they needed, later films have shown glimpses of something resembling fun.

And while no one is going to mistake “Aquaman” for the cream of the MCU crop – or even last year’s excellent “Wonder Woman” – there’s no question that the movie marks a sizable step in the right direction. This movie is big and loud and unashamed of either; a collection of one-liners and guitar licks, a veritable smorgasbord of wide-ranging action, nonsensical cinematic physics and weirdly vivid settings. It definitely makes a splash.

Published in Movies
Wednesday, 24 July 2013 16:22

The Conjuring' offers old-school frights

Horror film filled with terror and tension

Hearing the words 'Based on a true story' connected to a film is always a mixed bag at best. You're always curious as to just how much is true and how much is trumped up to make for a better movie. It's probably worst with horror films not only did we have classics such the original 'Amityville Horror' and 'Texas Chainsaw Massacre' with their supposed toeholds in reality, but you've got stuff like 'The Blair Witch Project' that goes out of its way in an attempt to convince us of the truth inherent to its (very) fictional premise.

Published in Movies

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