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It’s Oscar time again!

This year marks the 92nd Academy Awards, with the ceremony set to take place starting at 8 p.m. on the night of February 9. Over nine decades of Hollywood’s biggest night of self-celebration and self-congratulation. Nearly a century of dazzling gowns and dapper tuxedos and impactful acceptance speeches and inane interviews on the red carpet. Generations of excitement and disappointment.

As someone who loves the movies, I love the Oscars. Yes, they’ve grown increasingly out of touch over the years, but so what? There’s something exciting about rewarding the best of the best – even if what seems like the best of the best today might not seem so great later on down the road.

This marks the 13th Oscar preview I’ve written for The Maine Edge. I’ve been doing this for a baker’s dozen years. You might think that means I know something. And maybe I do … but not that much. While I’ve gotten pretty good at determining just who is going to win, the reality is that there are always going to be some surprises. That’s the joy of it – you just never know.

Here’s a look at my predictions for the 2020 Academy Awards. I've included write-ups for the big ones and just winners for the down-ballot stuff. As always, bear in mind that my picks here are for who I think WILL win, not who I think SHOULD win; this year especially feels like one where there’s some disconnect between the two.

Published in Cover Story

Sometimes, films come along that are outsized in the universal acclaim they receive. These movies are capital-G Great by consensus, leaving seemingly every single person who sees them breathless with effusive praise. These films are heaped with accolades and celebrated from on high.

But it’s rare – truly rare – that a film not only earns every accolade, every commendation and compliment, but somehow manages to also come off as somehow underappreciated. Rare … but not unheard of.

And here we arrive at Bong Joon Ho’s “Parasite.” Simply put, it is a masterpiece. It is a movie that deserves consideration not only as 2019’s best film, but as one of the decade’s best. Hell, one of the 21st century’s best. It is a brilliantly conceived and meticulously constructed piece, driven by an immersive narrative, an exquisite aesthetic and outstanding performances. It is smart and funny and brutal and cruel, a tense and complicated work that weaves together family drama, social commentary and sly wit. It is a film of challenges and contradictions – an intimate explosion.

(Full disclosure: “Parasite” is a South Korean film and hence is subtitled for American audiences. There are some who will automatically dismiss it because of that. I implore you – do not let your perceived issues with foreign language films prevent you from seeing this movie. It is beautiful and haunting no matter what tongue you speak.)

Published in Movies

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