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One of the joys of awards season is the opportunity to not just see excellent films, but to see films that are excellent in ways that you hadn’t anticipated.

Take “The Favourite,” for instance. It’s a period piece set in the court of England’s Queen Anne in the early 18th century; it tells the story of two women battling to curry favor with her. There are phenomenally talented performers in those three leads and excellent actors up and down the roster. Sounds pretty straightforward, no?

But then you learn that the director is noted weirdo auteur Yorgos Lanthimos and that the central conflict has a healthy amount of psychosexual manipulation and a little slapstick anachronism to accompany the palace intrigue and things are DEFINITELY not straightforward anymore. Excellent, for sure, but not straightforward.

“The Favourite” is an odd amalgamation, a sex farce in costume drama’s clothing … and it works wonderfully. It is sumptuously filmed and audaciously performed, an utterly fearless and unapologetically strange film. It is a cracked-mirror Merchant-Ivory production, a great piece of cinema that arrives at that greatness via paths both conventional and surprising.

Published in Movies

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