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The relationship we as a society have with technology is a fraught one. Striking the balance between the digital and analog worlds is difficult – particularly for young people, whose relationship with tech and social media and all that those things entail is especially complex.

Complex enough that perhaps a well-meaning animated family film isn’t the best method of exploring it, perhaps?

Still, that’s what we get with “Ron’s Gone Wrong,” the new computer-animated film from 20th Century Studios. The story of a young man and his burgeoning friendship with a ubiquitous piece of technology, tech whose malfunctions and idiosyncrasies make it more capable of meaningful engagement than any amount of careful planning.

In essence, the bugs become features.

With an excellent voice cast led by Jack Dylan Grazer, Zach Galifinakis and others, “Ron’s Gone Wrong” is a pleasant enough diversion, though it never delves as deep into the issues it purports to explore as you might like. It wants to be thoughtful and entertaining, but it ultimately proves more successful at the latter than the former.

Published in Movies

One of the joys of awards season is the opportunity to not just see excellent films, but to see films that are excellent in ways that you hadn’t anticipated.

Take “The Favourite,” for instance. It’s a period piece set in the court of England’s Queen Anne in the early 18th century; it tells the story of two women battling to curry favor with her. There are phenomenally talented performers in those three leads and excellent actors up and down the roster. Sounds pretty straightforward, no?

But then you learn that the director is noted weirdo auteur Yorgos Lanthimos and that the central conflict has a healthy amount of psychosexual manipulation and a little slapstick anachronism to accompany the palace intrigue and things are DEFINITELY not straightforward anymore. Excellent, for sure, but not straightforward.

“The Favourite” is an odd amalgamation, a sex farce in costume drama’s clothing … and it works wonderfully. It is sumptuously filmed and audaciously performed, an utterly fearless and unapologetically strange film. It is a cracked-mirror Merchant-Ivory production, a great piece of cinema that arrives at that greatness via paths both conventional and surprising.

Published in Movies

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