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As someone with a genuine affection for the genre, I’ve enjoyed seeing the evolution of the Western for the modern day. The most successful of these neo-Westerns are the ones that are able to maintain the frontier sensibilities of the classics within a more present-day framework.

Among the foremost practitioners of the neo-Western – and perhaps the best and striking that delicate balance – is Taylor Sheridan, the writer-director behind such projects as “Wind River,” “Hell or High Water” and the TV western “Yellowstone.”

Sheridan’s latest – a project that he both directed and co-wrote – is “Those Who Wish Me Dead,” adapted from Michael Kortya’s 2014 novel of the same name. It’s a great example of how the neo-Western vibe doesn’t necessarily rely on the tropes of the genre. There are no cowboys here, but the tone and attitude of the characters and the narrative surrounding them can be traced directly back to the classic Westerns of the ’60s and ‘70s.

It’s a lushly-filmed thriller, one that takes full advantage of the natural majesty in which it was filmed. And it features a top-notch cast, led by Angelina Jolie. But while there’s no denying the propulsive nature of the story, there’s some muddiness to the proceedings that prevent the film from reaching its full potential. Still, it’s a hell of a watch, and truthfully? That’s more than enough.

Published in Movies

It’s rarely good news when a film’s release is significantly pushed back. Regardless of the reasons, it’s not a great look when your movie hits the festival circuit, only to disappear from view for months or even years before eventually getting a wide release.

Every once in a while, though, the end result is a better film.

That seems to be the case with “The Current War: Director’s Cut” – released as such because it has been significantly changed from its initial appearance on the scene a couple of years ago. And those changes seem to have done the trick, because while that earlier version of the film was received in a manner that would charitably be called “mixed,” this new iteration is actually a pretty solid biopic.

It’s the story of the real-life rivalry between Thomas Edison and George Westinghouse as they competed to see whose electrical current – Edison’s DC or Westinghouse’s AC – would be the one that electrified America and the world. It’s a stylish and aesthetically engaging film – far more so than you might expect from a biopic such as this one – with an A-list ensemble cast and dynamic direction courtesy of Alfonso Gomez-Rejon.

Published in Movies

Perhaps no 21st century film franchise has been as utterly uneven as the “X-Men” universe.

The first movie – “X-Men” – came out back in 2000, nearly a decade before the MCU hit the scene with “Iron Man.” By all rights, the X-Men should have been the cinematic blockbuster team well before the Avengers even showed up.

Instead, we’ve watched as the franchise has been yanked all over the map in terms of quality. The heights of the early films were undermined by 2006’s unfortunate “Last Stand” and the nigh-unwatchable 2009 standalone “X-Men Origins: Wolverine.” The ship was righted thanks to the timeline-altering reboot that began with “First Class” in 2011, a good Wolverine movie (“The Wolverine”) and a capital-G Great one (“Logan”) and the introduction of Deadpool.

Alas, “Dark Phoenix” doesn’t rise to that level. Or the level below it. Or the level below that one. The truth is that one could argue that this latest installment – the last before the characters pass from 20th Century Fox into the control of the Disney machine – represents the nadir of the franchise.

It’s the second effort by the franchise to tell perhaps the most important arc in the history of the X-Men – and the second failure. This is an iconic storyline, not just for the X-Men, but for all of comicdom. And yet it is peppered with sloppy storytelling, disinterested characterizations and unclear decision-making (both on camera and behind it).

Despite extremely low expectations, “Dark Phoenix” still managed to disappoint me.

Published in Movies

Long-delayed action movie falters despite talented cast

Published in Movies
Wednesday, 06 March 2013 15:19

Jack the Giant Slayer' is fee-fi-fo-fun

Fairy tale adventure more hit than miss

There has been a trend in Hollywood recently toward the reinvention of classic children's stories. We've seen tongue-in-cheek takes on Hansel and Gretel and a pair of retellings of the story of Snow White. Developments in CGI technology have taken these stories out of the animated realm in which they have primarily dwelled and into the world of live action.

Published in Movies
Wednesday, 06 February 2013 13:18

Star-crossed lovers (and zombies)

Warm Bodies' strikes balance between humor and horror

Anyone who has gone to the movies over the past few years has seen the explosion in zombie movies. Hollywood's recent fascination with the genre has led to a glut of entertainment featuring the walking dead. Some of these movies have treated the subject with humor, others with deadly seriousness. But until now, none have used the genre as a foundation for romantic comedy.

If you're a zombie fan, chances are that 'Warm Bodies' piqued your interest. It's a new take on a genre that has been rapidly descending into the realm of the clich. It's a new take and quite a good one at that.

Published in Movies

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