Admin
Tuesday, 05 June 2018 15:51

Come sail away – ‘Adrift’

Ever since humans have been telling stories, some of the scariest have been born of the idea of being lost. Of being stranded, held at the whim of the elements with no one to help us and no one to hear us scream.

And few of those stories are as harrowing as the lost in sea stories, the tales of people whose attempts to challenge the ocean are met by her unrelenting, unforgiving power.

“Adrift” tells one such lost at sea story. Based on the book “Red Sky at Mourning: A True Story of Love, Loss, and Survival at Sea,” the film tells the story of Tami Oldham, who in 1983 was sailing in the Pacific Ocean when she and her boyfriend ran into a hurricane. It’s a tale of battling through the worst kinds of adversity for the highest possible stakes – survival. But while the movie does have some solid qualities, it ultimately can’t quite manage to stay completely afloat.

Published in Movies

I’ve always had an affinity for watching people get hurt in ridiculous ways. It’s the teenaged boy in me; slapstick, physical humor has always been a favorite of mine. It’s why I have a soft spot for Johnny Knoxville and “Jackass.” The sheer abandon with which those degenerates approached their work (such as it was) … admirable, really.

But such degeneracy is a young man’s game. Truly, in the end, time leaves no man’s balls unkicked.

This brings us to “Action Point,” a film about which I held the exact right degree of low expectations, yet was disappointed nevertheless. It’s a lazy, largely unfunny comedy that spastically flails about and fails to make any real impact, despite an enthusiastic performance by Knoxville (including a couple of stunts sure to delight his longtime fans).

Published in Movies
Tuesday, 29 May 2018 14:24

Taking flight with 'Solo'

Full disclosure: I love “Star Wars.” The original trilogy is near and dear to my heart – one of my earliest memories is seeing “Empire” at the drive-in when I was three. And while the prequels left a lot to be desired, Disney’s reinvigoration of the franchise in recent years has been welcome.

“Solo: A Star Wars Story” is the fourth film in this new wave and somehow manages to be both the biggest departure and the most conventional of the bunch. Turmoil seemed abundant behind the scenes – original directors Phil Lord and Christopher Miller were replaced by Ron Howard; rumblings about reshoots and acting coaches and whatnot were plentiful – so one wondered what the final product was going to be.

It’s … fine. Pretty good, actually. Not as good as the other newer offerings, but with plenty to recommend it. There are moments where it feels stitched together and a bit inconsistent, but otherwise, the directorial drama doesn’t show up much on screen. The performances range from meh to solid to excellent. The story is a bit slight and there are certain narrative mysteries that might have been better left unsolved (along with some tonal inconsistency and a few not-insignificant timeline questions), but all in all, it’s a fun space opera/heist movie with a charming cast and some strong set pieces.

Published in Movies
Tuesday, 29 May 2018 14:21

‘RBG’ notorious indeed

One wouldn’t necessarily expect an octogenarian Supreme Court justice to become a celebrated pop culture touchstone, but hey – you can’t go predicting what people are going to do.

So it is with Ruth Bader Ginsburg, whose life and career are brought to the big screen in “RBG,” a documentary directed by Julie Cohen and Betsy West. It’s an engaging work, albeit somewhat introductory. That’s not a slight – for those many people whose knowledge of her springs primarily from internet memes, this film will prove to be an educational experience.

Published in Movies
Tuesday, 22 May 2018 15:00

More meta mayhem – ‘Deadpool 2’

Superheroes are big business at the box office. The biggest cinematic successes of the past few years have involved CGI explosions and spandex. Hell, 2018 alone has seen “Black Panther” and “Avengers: Infinity War” taking their places atop various all-time lists.

And yet … there’s more than one path to victory.

We got a glimpse of one such path with 2016’s “Deadpool,” the hard-R Ryan Reynolds passion project that brought the unorthodox and profane titular character to the big screen in all of his fourth wall-breaking metatextual glory. The critical and commercial acclaim with which it was met ensured that we’d see another installment.

“Deadpool 2” is … more. More of the self-awareness. More of the snark. More winking jokes and nods. More curse words. Just … more. It is broad and crude and unapologetic. And while it’s maybe a little messier and unfocused than its predecessor, it also opens up and shows some unexpected heart – albeit in Deadpool’s specific and very peculiar way.

Published in Movies
Tuesday, 22 May 2018 14:58

‘Book Club’ fails to leave a mark

It isn’t easy getting old in Hollywood. Too often, stars flail against the notion of age, desperately trying to stave off the inevitability of time. Aging gracefully isn’t something that most actors have the luxury of doing.

It’s particularly bad for women; there just isn’t a lot of space carved out of the cinematic firmament for actresses of a certain age. So when an opportunity arises – an opportunity for a collection of exceptionally talented women to shine - all you can do is cross your fingers and hope for the best.

At the very least, hope for better than “Book Club.”

Published in Movies

It seems as though we don’t get the same kinds of breakout comedies in the summer that we once did. The season has become overrun with blockbusters, and while I love superheroes and explosions as much as anyone and more than most, it’s nice to change it up once in a while. And occasionally, a comedy will achieve significant summertime success. A lot of factors have to line up for it to happen – timeliness, star power, subject matter, broad appeal and more – for a comedy to be that movie.

“Life of the Party” is not that movie.

Published in Movies
Tuesday, 15 May 2018 14:53

One bad mother – ‘Breaking In’

While it hasn’t reached the apex of home invasion movies, the subgenre of panic room thrillers has its place in the cinematic firmament. The notion of being (relatively) safe, yet still being trapped by the bad guys – usually with something to lose – is a resonant one and can make for some engaging, albeit fairly predictable, fare.

The new movie “Breaking In” attempts to subvert that basic structure. This time, the bad guys are the ones in the safe space and it’s up to our protagonist to find their way in and save the day. It’s not bad as ideas go – in the hands of really capable filmmakers, you could imagine this working quite well.

Alas, these filmmakers don’t appear to have that kind of capability. What we actually get is a poorly-paced ramble that never bothers to justify or explain the actions, events and decisions that play out on the screen. Gabrielle Union (“The Public”) does her level best in the lead – and gives a performance far better than this movie deserves – but that’s just not enough to overcome the jumbled blandness of literally everything else.

Published in Movies
Tuesday, 08 May 2018 14:39

Mother’s milk – ‘Tully’

One of the downsides to the bounteous excess of summer blockbuster season is the fact that it’s extremely difficult for a smaller film to gain any real traction. More thoughtful fare can be drowned out by a wave of superheroes, sequels and CGI explosions.

In the case of “Tully,” the latest product of the director/writer partnership of Jason Reitman and Diablo Cody, that would be a real shame. This weird little funny/sad film is a lovely piece of storytelling that deserves to be seen, a meditation on motherhood that is genuine and bizarre and driven by an outstanding performance from Charlize Theron (who previously teamed with Reitman and Cody on 2011’s “Young Adult”).

Published in Movies

Hollywood’s recent reliance on remakes and reboots has become almost a self-fulfilling prophecy as of late – people see them because that’s what available and the studios make more of them because people are going to see them and on and on. We’re in chicken/egg territory, only we’ve stopped caring which actually came first.

That line of thinking inevitably results in something like “Overboard.”

Published in Movies
<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>
Page 3 of 28

Advertisements

Website CMS and Development by Links Online Marketing, LLC, Bangor Maine