Film offers heavy-handed message, not much else

It's always intriguing when a number of Hollywood's heavy hitters get together to work on something especially a pet project. Sometimes, it's a story that they have always wanted to tell. Sometimes, it's just an excuse to go on a working vacation with their buddies. And sometimes, they just want to remind you that they care about stuff.

The first one usually bears positive fruit; if nothing else, the superstar got to prove his or her mettle. The second one is hit ('Ocean's 11') or miss ('Couples Retreat'). And the third one? The third is almost never a good idea. That's when they're looking to impart a 'message.'

Film tries and fails to reinvigorate classic franchise

Few genres inspire multiple franchise offerings quite like horror. There are the big ones, of course series such as 'Friday the 13th,' 'Halloween' and 'Nightmare on Elm Street' but almost every horror film that has experienced even a modicum of success has produced a number of increasingly terrible sequels/prequels/reboots.

For instances, we have the new 'Texas Chainsaw 3D' film; did you know that this is the seventh (!) installment of everybody's favorite chainsaw-wielding maniac Leatherface?

Apatow's latest light on story

We've all got to grow up sometime.

That's the primary message behind writer/director Judd Apatow's latest offering, both in terms of the story itself and Apatow's own changes as a filmmaker. Growing up is the foundation of 'This Is 40,' billed as a 'sort-of sequel' to 2007's 'Knocked Up.'

Pete (Paul Rudd; 'Wanderlust') and Debbie (Leslie Mann; 'The Change-Up') are a married couple attempting to muddle through the realities of their life together as both approach 40. Pete runs a struggling independent record label that desperately needs a hit, while Debbie's boutique clothing store is losing money under mysterious circumstances.

Gangster movie suffers from overly aggressive message

There's nothing inherently wrong with using a film to send a 'message.' In fact, with the right combination of circumstances, a movie can manage to be effective both as an entertainment and as a conveyance of some larger truth.

However, when a movie allows itself to be overwhelmed by the message it is intended to convey, both the movie and the message wind up significantly diminished.

Remake fails to match spirit of original

The 1980s were a simpler time. America was America and we knew exactly who the bad guys were. That's what made a film like 1984's 'Red Dawn' such a success; it was rah-rah jingoism built around showing those Russkies who was boss.

In the 21st century, however, those lines of demarcation aren't so clear. This leads to the 'Red Dawn' remake. Since the circumstances aren't nearly so clear cut these days the movie's main enemy even had to be changed before the film was released you get a film that falls short of the plucky 'America! Fk yeah!' spirit of the original.

Spielberg, Day-Lewis bring history to life

Every once in a while, moviegoers are treated to a perfect cinematic storm, a confluence of talent that all but assures excellence. It is a rare and wonderful thing to see unfailingly exceptional actors, writers, director and subject matter come together in the same place at the same time. When they do, the result is true movie magic.

If you're lucky, the result is a movie like 'Lincoln.'

'Breaking Dawn: Part Two' is the fifth and final movie in the 'Twilight' series. 'Twilight' fans were thrown through hoops and were on an emotional roller coaster while watching this film. Thinking that I knew what to expect from having read the novels, I was surprised by quite a few scenes, one in particular which even caused me to shed a couple tears. Anyone who has been a fan of 'Twilight' since the novels, or just fans of the movies, will not be disappointed by the way the saga finalizes. The ending is certainly an unexpected twist.

Newest Bond film reinvigorates the franchise

It's hard to fathom, but the James Bond film franchise is celebrating its 50th year. That's half a century of a single iconic character evolving right alongside our culture. Starting with Sean Connery first gracing the screen as Bond in 1962's 'Dr. No,' there have now been 23 cinematic outings featuring the now-archetypal superspy.

(And yes, I'm aware that there are a handful of 'other' Bond movies; we're just talking about the projects from Eon Productions.)

Disney film offers glimpse inside the lives of video games

For people of a certain age, there's nothing quite like classic video games. Sure, technology has advanced far beyond the simple arcade games of the 1980s, but for many of us, those are the games that we'll always remember.

Disney has found a wonderful way to capture that sense of nostalgia with 'Wreck-It Ralph,' giving us a brand-new look at some of those iconic characters.

RZA film an homage to classic kung-fu

Let's get this out of the way right up front: 'The Man with the Iron Fists' is not a good movie.

However, when you're walking into a theater to see a kung-fu movie written by, directed by and starring RZA of the Wu-Tang Clan (and produced by Quentin Tarantino), you're already operating under different expectations with regards to what 'good' means.

It isn't a good movie. That doesn't mean that it isn't a lot of fun to watch.