Admin

There’s something joyful about giant monster movies. They inspire a kind of glee, a sense of childlike wonder in the viewer. Sometimes, it can be nice to go to the movies and get swept away by sheer, unwavering bigness. Even when it is dorky and/or shoddy and/or low-rent, the sense of scale is always there.

Godzilla movies and their ilk have been the foundation of that particular niche. And in this current climate of cinematic universes, it’s no surprise that Hollywood has decided to shoehorn everyone’s favorite gigantic radioactive lizard into a franchise of his own.

“Godzilla: King of the Monsters” is a follow-up to 2014’s “Godzilla.” Those movies – along with 2017’s “Kong: Skull Island” – are the beginnings of what I’m going to go ahead and call the BAMCU (Big-Ass Monster Cinematic Universe). This latest installment is the one where the multi-film world-building begins in earnest, the one that strives to develop the connective tissue necessary to tie these blockbusters together.

But while “Godzilla: King of the Monsters” offers up a fair amount of monster-on-monster action and updated versions of some classic Toho creatures, it can’t quite deliver on the connectivity side of things. Balancing the stakes – skyscraper-sized reptiles shooting lasers at each other versus human beings trying to save both their families and the world – was always going to be a tricky task … and it’s a task that director Michael Dougherty and his team never quite manage.

Published in Movies
Wednesday, 29 May 2019 11:44

Bad (Super)boy – ‘Brightburn’

Sometimes, it takes a while for me to warm up to the idea of a film. I’ll hear about it, maybe see a trailer or two, and then experience a gradual build in interest. Other times, all I need is one sentence.

A sentence like “It’s Superman’s origin story, only if he was evil.”

That’s the single-sentence synopsis of “Brightburn,” a super-horror movie directed by David Yarovesky from a script by brothers Brian and Mark Gunn (their other, more famous brother James – no stranger to superheroes – produced the film). It’s a far darker exploration of the superhero mythos than we’ve grown accustomed to seeing in recent years, a bleaker (and better-executed) take than even Zack Snyder’s generally-reviled take on the DCEU.

By introducing elements such as body horror and moral corruption into the usually-sanitized realm of the superhero, “Brightburn” offers a very different – and often unsettling – look at the spandex-clad world-savers that have dominated the box office over the past decade.

Published in Movies

I’m an unabashed fan of teen comedies. From John Hughes on down, I have always loved stories of teenagers doing teenager stuff. I particularly love coming-of-age stories, whether they’re emotionally grounded stories of tentative steps into adulthood or broad “last night before graduation” raunchfests.

When I initially learned about the new film “Booksmart,” I got the impression it would be the latter. And it is – but it’s also the former. It is heartfelt and thoughtful in ways that will ring true to anyone who is (or ever was) a teenager, capturing the challenges faced by a certain kind of student as they prepare to move forward from high school. But it is ALSO a foul-mouthed and unapologetically weird comedy, packed with high-minded jokes and lowbrow gags alike.

Seriously – however good you think this movie is, it’s almost certainly better.

Published in Movies

Creating a cinematic franchise from scratch is HARD. If it wasn’t, studios wouldn’t be falling all over themselves in an effort to find preexisting intellectual properties to convert to the big screen.

And yet, that’s precisely what has happened with the “John Wick” series, which just saw its third installment – “John Wick: Chapter 3 – Parabellum” – hit movie theaters nationwide. With this latest offering, the biggest and brashest of the series thus far, star Keanu Reeves and director Chad Stehelski have ensured that the creep of sequel fatigue will have to wait once again.

This new film embraces everything that made the two previous films such a success; the intricate, intimate fight scenes, the sweeping action set pieces, the meticulously constructed mythology, the kinetic hyperstylized aesthetic – it’s all here. And while it’s all much, MUCH bigger, it all scales up comfortably; the smaller moments aren’t lost. If anything, they’re accentuated even more by their massive surroundings.

In short, “John Wick: Chapter 3 – Parabellum” kicks ass in every way you expect … and a few that you don’t.

Published in Movies

Full disclosure: I love dogs. Love love LOVE dogs. I love the teeny tiny puppers and the big thick doggos and all the adorable floofs out there.

Being the font of canine adoration that I am, it’s clear that I fit squarely into the target demographic of “A Dog’s Journey,” the sequel to 2017’s “A Dog’s Purpose.” It’s the story of one good boy’s spirit as he lives multiple lives, all of them focused on doing right by the one he is sworn to watch over – a duty whose subject changes in this sequel.

(It’s worth noting that while there’s no in-movie connection between these two movies and “A Dog’s Way Home” from earlier this year, all three films are based on novels by the writer W. Bruce Cameron, so don’t be shocked by tonal or thematic similarities.)

It’s a chance to follow one dog’s devoted spirit seek endlessly to track down the person that they are meant to protect, no matter what. It isn’t always easy, but a good dog will do whatever it takes. And since they’re ALL good dogs, well … they’re going to make it happen.

Published in Movies

One of the realities of growing older is accepting the fact that pop culture is no longer aimed at you. To paraphrase the proto-creepster philosopher David Wooderson, we keep getting older, but the target demographic of the zeitgeist stays the same age.

It’s less noticeable at the movies, for the most part – the massive monocultural events shooting for four-quadrant appeal don’t much care how old I am – but there are still moments that remind me of the gaps in my pop cultural history.

This brings us to “Pokémon Detective Pikachu.” I will be the first to admit that I have only a passing familiarity with the world of Pokémon, mostly through younger relatives and a brief dalliance with the AR game “Pokémon Go” a couple of years back. How would I review a movie built so thoroughly on preexisting characters and contexts? A story steeped in decades of intricate mythology and scores of previous incarnations?

Pretty easily, as it turns out.

I had a legitimately good time watching “Pokémon Detective Pikachu” despite my rudimentary understanding of the Pokémon phenomenon as a whole. Yes, I was definitely lost with regards to a lot of the specifics – my fellow audience members laughed and cheered for reasons that I didn’t fully understand – but in the general sense, it was still a lot of fun. It’s a family-friendly adventure film with solid performances, a few strong action sequences and a shockingly good aesthetic (the overlay of CGI onto live-action was seriously some of the best I’ve seen).

Published in Movies
Wednesday, 15 May 2019 14:30

‘The Hustle’ doesn’t quite flow

One of the interesting trends in mainstream cinema over the past few years is the gender-swapped remake. We’ve seen a number of these films recently, movies that exchange men for women and vice versa in primary roles. Sometimes, it works. Sometimes, it doesn’t. And most often … kind of both.

That’s the case with “The Hustle,” the new film starring Anne Hathaway and Rebel Wilson. A remake of the Michael Caine/Steve Martin-led 1988 comedy “Dirty Rotten Scoundrels” (itself a remake of 1964’s “Bedtime Story,” a Marlon Brando/David Niven film), “The Hustle” is the story of a pair of con artists caught up in a competition with one another as they ply their trade in a small town on the French Riviera.

It’s a tough sell in some ways – the 1988 film is beloved and the story is highly demanding of the people in the leads. Hathaway and Wilson are both talented enough to make a lot of this stuff work, the truth is that there’s not that much there. There are some solid jokes and a couple of good slapstick set pieces, but it’s not enough. The fairly pedestrian script never reaches the manic comedic energy of its predecessor; Hathaway and Wilson are good, but not quite good enough to help this movie transcend a general sense of formulaicness.

Published in Movies
Wednesday, 08 May 2019 11:24

Home sweet home - ‘The Intruder’

With the “Avengers: Endgame” monolith dominating the box office as expected, the big-screen offerings of early May were always going to be a bit offbeat. Studios were aware that specifically-aimed counterprogramming would be the only way to ride out the massive second and third weekends from the MCU juggernaut.

But no one could have expected something like “The Intruder,” a weird little bit of B-movie genre filmmaking featuring a pulpy blend of thriller themes and a delightfully bonkers performance from Dennis Quaid. It is unapologetic and unrelenting in its choices, committing fully to a mess of stalker/home invasion tropes sprinkled with periodic moments of intentional unintentional comedy.

Basically, if you could distill the desire to shout “Don’t go in there!” at a movie screen and turn it into an actual movie, you’d pretty much have “The Intruder.”

Published in Movies
Friday, 03 May 2019 11:58

‘Long Shot’ pays off big

Lately, it might seem as though every single studio movie is either a nine-figure-budgeted franchise blockbuster or a low-overhead genre movie. And yes, there’s a lot of that kind of stuff out there. But those who have bemoaned the loss of the mid-budget studio film should take solace, for the reports of its death have been greatly exaggerated. Sure, we see FEWER of those movies, but they’re far from over.

“Long Shot” is a perfect example of just that kind of film. A high-concept hybrid of political comedy and juvenilia, it’s a rom-com that tries to be a lot of different things and is largely successful. It’s an unconventional execution of a movie-conventional pairing between Seth Rogen and Charlize Theron, lending a surprising degree of nuance to the standard mixed-attractiveness comic screen pairing.

It’s also an attempt at political satire, an effort to poke fun at the current climate. Government operations and the media both take their share of hits, and while the effort doesn’t land as well as the relationship stuff, it still manages its share of laughs. It’s a movie that is smart and profane, putting forth cleverness and crassness in equal (and often hilarious) measure.

Published in Movies

This is not going to be my typical review.

If you’ve seen “Avengers: Endgame” – and judging by the record-shattering $1.2 billion (that’s billion with a B) opening weekend at the box office, there’s a good chance that you probably have – then you have an idea of my dilemma.

How do you talk about an effort to wrap up nearly two dozen movies’ worth of storytelling without disclosing too much? How do you talk about a movie that is, in essence, three hours of ending? How do you avoid spoilers when discussing a film that is, by its very nature, practically constructed of spoilable revelations?

Very carefully.

Published in Movies
<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>
Page 9 of 44

Advertisements

The Maine Edge. All rights reserved. Privacy policy. Terms & Conditions.

Website CMS and Development by Links Online Marketing, LLC, Bangor Maine