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Monday, 23 December 2019 22:25

Who let the ‘Cats’ out?

Sometimes, you see a trailer for a movie that captures your attention for all the wrong reasons. You find yourself questioning what possible series of increasingly poor decisions would lead to a world in which this movie came to be. You’re asking fundamental questions like “How?” and – perhaps more importantly – “Why?”

Those are the feelings that bubbled up from deep inside most reasonable people upon first viewing the trailer for “Cats,” director Tom Hooper’s star-studded adaptation of the (somewhat bewilderingly) beloved Broadway musical. Watching CGI-blended cat/human monstrosities gambol and cavort across the screen for just those few moments raised far more questions than any piece of art could ever answer.

Here’s the thing – that ain’t even the half of it.

“Cats” is a tortured fever dream of a film, the sort of nightmarish cinematic experience that feels like the unholy offspring of a coked-up studio executive notes session and a dark ritual intended to summon forth the Elder Gods. I walked out of this movie expecting my phone to ring, with a voice on the other end speak-singing a semi-melodic song informing me that I would die in seven days.

We are all cursed. We are all damned. We are all Cats.

Published in Movies

I love me a movie musical. My deep and abiding affection for the joy and wonder of the genre is well-documented. So it should come as no surprise that I was interested in checking out “Mamma Mia: Here We Go Again,” the sequel to 2008’s blockbuster hit “Mamma Mia.”

But here’s the thing – I had never SEEN “Mamma Mia.” This despite not just the aforementioned movie musical love, but an actorly crush on Meryl Streep AND a long-standing affinity for the music of ABBA! It makes zero sense that I would not have seen that film. And so, I rectified that fact before taking in the sequel.

You don’t need me to tell you about the first film, but I can tell you that “Mamma Mia! Here We Go Again” stays largely true to the unabashedly dorky spirit of its predecessor, packed with impromptu musical numbers and hammy scenery chewing and the inarguably outstanding music of ABBA. It also makes the unusual choice of serving as both a sequel AND a prequel to the original, roughly splitting the story between the two timelines. It is campy, winking and just delightful.

Published in Movies
Wednesday, 27 December 2017 13:47

‘The Greatest Showman’ not that great

Musical has its moments, but mostly falls short

Published in Movies
Sunday, 08 January 2017 18:29

'La La Land' is la-la-lovely

Movie musical a wonderful blend of old and new

Published in Movies

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