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Abbott and Costello. Laurel and Hardy. Martin and Lewis. Lemmon and Matthau. Farley and Spade. Ferrell and Reilly. The history of cinema is rife with comic duos, esteemed teams that have done great things to advance the art of the laugh. Some were dedicated double acts, others came together through circumstance, but all brought us joy.

So it is with Tom & Jerry. The animated cat-and-mouse pairing has been delighting audiences since their debut in 1940 with their trademark slapstick mayhem. But now, they’re taking a trip into the third dimension.

“Tom & Jerry” is a live-action/animated hybrid film directed by Tim Story from a screenplay by Kevin Costello. It brings the iconic duo into the real world, folding together the outsized violence of the original shorts with an ostensibly real setting.

Now, you might wonder if characters whose body of work consists almost entirely of shorts can translate to a full-length feature. The answer is … sort of? While the Tom and Jerry dynamic remains intact and still largely works, the truth is that the kinetic explosiveness of their interactions simply can’t be sustained for 101 minutes. And while everyone in the human cast is doing their best, it doesn’t always click.

All that being said, kids are almost certainly going to dig this film, even if they might want a little more cat-and-mouse. And parents – particularly parents with fond memories of these characters – may well find things to like as well. Not a spectacular success, sure, but far from terrible.

Published in Movies

Anyone who watched the campy classic Ricardo Montalbon-starring ‘70s TV show “Fantasy Island” or the short-lived two-decades-later Malcolm McDowell reboot has to recognize the creepy potential of the conceit. A place where fantasies come true, only in unexpected ways? There’s so much there with which to work.

Jason Blum and the folks at Blumhouse certainly thought so. Hence, we get “Fantasy Island,” a horror exploration of that classic concept. It’s a natural fit – Blum and his crew have proven time and again that they are capable of turning these sorts of ideas into quality genre fare. Unfortunately, no one bats 1.000; this latest film is one of the rare misfires from the production company.

This incarnation of “Fantasy Island” – directed by Jeff Wadlow from a script he co-wrote with Jillian Jacobs and Christopher Roach – never manages to develop anything worthwhile from the rich soil of the source material. Instead, we get a bunch of recycled tropes and cheap scares, a low-rent mélange of monkey’s paw clichés and lazy storytelling. There are a few brief glimpses of the film this could have been, but for the most part, there’s nothing here – filmmaking fantasy meeting cold, stark mismanaged reality.

Published in Movies
Wednesday, 11 July 2018 12:13

‘Ant-Man and the Wasp’ comes up big

The Marvel Cinematic Universe has become one of the primary driving forces in the world of movies over the past decade. Each of these films makes hundreds of millions at the box office and continues the ever-evolving and unfolding story, moving toward massive paradigm shifts and crossover events.

But here’s the thing – operating on global and cosmic scales presents some issues. Namely – you can’t just keep raising the stakes; narrative stakes can only be raised so many times before things begin to lose their impact and feel forced. To avoid reaching that point, some sort of reset is necessary. With the 20th film in the MCU, the powers that be have chosen to cleanse our palates after the cataclysmic consequences of “Avengers: Infinity War.”

“Ant-Man and the Wasp” brings the MCU back down to Earth, choosing to tell a smaller, largely self-contained story. Taking place before the events of “IW,” the film doesn’t deal with fate-of-the-universe-level consequences. Instead, its impact is primarily on a more individual plane. It exists mostly independent of the other films, without the numerous cameos and tangential MacGuffins that often riddle MCU offerings. That freedom allows “AM&TW” to be lighter and funnier while still providing the superpowered set pieces audiences have come to expect.

Published in Movies
Tuesday, 13 March 2018 14:17

‘A Wrinkle in Time’ not quite smooth

Film’s flawed storytelling offset by vivid aesthetic, ideas

Published in Movies
Wednesday, 29 March 2017 11:53

Mirthless motorcycles - ‘CHiPs’

Film reboot of TV series a crass, unfunny comedy

Published in Movies
Wednesday, 21 December 2016 11:22

‘Collateral Beauty’ pretty terrible

Once upon a time, Will Smith was one of the most bankable stars in Hollywood, part of that small cadre of actors who could bring big box office through little more than the virtue of their name. Will Smith was one of those guys.

Sadly, he is definitely not that guy anymore.

Published in Movies

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