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Monday, 28 January 2019 15:19

Fish out of water – ‘Serenity’

Usually, our feelings about movies are fairly easy to work out. We liked it or we didn’t like it. We got it or we didn’t get it. And we’re usually able to see why someone else might like or dislike a film even if our own feelings are opposing. Obviously, there’s plenty of gray area, but for the majority of movies, it’s a binary situation – “good” or “bad.”

But every once in a while, you get a movie that is so inexplicable, so bizarrely conceived, so bats—t crazy that the binary is out the window. It isn’t “good,” it isn’t “bad,” it’s “what in God’s name did I just watch?”

“Serenity” very much falls into that third category.

At this point, you might be saying to yourself “Really? I saw the trailer for that movie and it looked pretty straightforward to me.” And you’d be right, as far as that goes. The trailer DOES make it all look pretty straightforward. But rest assured – it is not. At all.

For its first half, “Serenity” is nothing special, a sort of beach noir thriller. The pieces are a little ill-fitting, but it’s all fairly conventional. Meanwhile, the second half of the movie hinges on a Shyamalan-on-acid twist, one of the weirdest narrative turns I’ve seen in a mainstream movie in years. Maybe ever.

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