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There is a tremendous amount of craft that goes into writing a book. The meticulous attention to detail necessary to build a truly engaging narrative is incredible, folding together character development and plot and research, all with an eye toward continuity and consistency. And if it all comes together just right, you get a killer story.

Now imagine doing all that while constructing things so that the book can be consumed in a different order and still tell a killer story, albeit one with a different shape.

That’s what Alex Landragin did with his debut novel “Crossings” (St. Martin’s Press, $27.99), a marvelous puzzle box of a book that spans centuries and offers more than one way to consume its compelling story. It’s a novel in three parts, built to be read either in the standard front-to-back fashion or via an alternate to-and-fro chapter order.

Epic in scope, spanning a century and a half and featuring a cast of characters that is somehow both sprawling and small, “Crossings” is that relatively rare experiment in form that doesn’t sacrifice substance in the name of style. It’s conceptually cool, of course, but it’s also beautifully written and one hell of a riveting tale.

Published in Style

There are few better feelings than the sensation that comes with the dawning realization that the book you are reading isn’t just good, but great. No matter how much hype you’ve seen, no matter how many recommendations you’ve received, it all comes out in the reading. When the language captivates you and the narrative enthralls you and the themes provoke you … that’s a great book.

Emily St. John Mandel’s “The Glass Hotel” (Knopf, $26.95) offers up just such greatness.

It’s a mesmerizing puzzle box of a book, one whose many interconnected parts are in seemingly constant motion, both through space and time. That sense of propulsive perpetuity creates an almost insatiable hunger in the reader; we simply can’t stop. There’s a rhythm to the steady movement that borders on the hypnotic, sweeping us away at speeds that vary from snail-paced to breakneck – all in service to an incredible story.

Published in Buzz

There’s very little overlap in the writing Venn diagram of “funny” and “literary” – even most ostensibly humorous literary fiction definitely deserves the scare quotes around “funny,” while genuinely funny stuff doesn’t often have the requisite stylistic heft to warrant the literary tag – but Sam Lipsyte lives right square in the middle of it all.

Lipsyte’s new novel “Hark” (Simon & Schuster, $27) is another example of the author’s incredible gift for balancing poetry and potty humor, for blending the profound and the profane. This latest book – his first since the 2012 story collection “The Fun Parts” – once again places the American experience square in its sights, embracing the depths of inescapable weirdness that exist just beyond casual cultural perception.

It’s a quick-fire reading experience, with short chapters and frequent perspective shifts, capturing the kind of inner turmoil that can only come from discovering someone who you believe might actually have answers to the toughest of tough questions, namely: why?

Published in Style

What if you looked around one day and saw all the success in the world … only it wasn’t what you wanted?

That’s the central question being asked by Barry Cohen, the protagonist of Gary Shteyngart’s new novel “Lake Success” (Random House, $28). It’s a story of discontent among the one percent, a look-in on the lives of people whose problems are both wildly different and oddly similar to our own. It’s also a sharp and whip-smart deconstruction of the American Dream – one in which the dreamer discovers that maybe they didn’t want it to come true after all.

Published in Buzz

There are those who will rail against the world, who will do everything in their power to strike back against any real or imagined powers that hold them down. And there are others who want nothing more than to simply remove themselves from the fight, to check out until such time as their problems have somehow miraculously solved themselves.

The unnamed protagonist of Ottessa Moshfegh’s latest novel “My Year of Rest and Relaxation” (Penguin Press, $26) falls very much into the latter category; she’s a young woman who on the surface appears to have it all, yet desires to completely ignore the world as it rolls on around her … and is willing to go to some extreme measures to achieve that ignorance.

Published in Buzz

Baseball as a metaphor has been a literary device since the game’s inception. It has proven fertile ground for stories of fathers and sons, of passion and regret, of failure and triumph.

Mark Di Ionno is the latest to bring our national pastime to the printed page with his novel “Gods of Wood and Stone” (Touchstone, $26). Now, this book isn’t ABOUT baseball – not really. It’s more that it is built AROUND baseball, using the game as a lens to focus the narrative. And what a narrative it is, a story of relationships and disappointments, about the regrets that haunt us and the damage caused by the decisions we make. It’s a tale of loneliness and obsessions and the power of passion.

Published in Sports
Wednesday, 15 March 2017 12:41

The truth hurts - ‘The One-Eyed Man’

Ron Currie novel engaging, insightful and exceptional

Published in Buzz
Wednesday, 12 October 2016 12:13

The I of the storm - 'Hag-Seed'

Atwood novel an exploration of Shakespeare's 'The Tempest'

William Shakespeare is the literary GOAT. Not a particularly controversial take, to be sure, but one in which I strongly believe. The Bard is the best and no one will convince me otherwise.

Published in Style

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