Admin
Monday, 27 September 2021 15:08

‘The Starling’ is for the birds

There’s nothing inherently wrong with tonal variance in a film. In the right circumstances, that can allow for a wider net to be cast with regard to the themes and ideas explored. A well-executed balance of laughter and tears can result in something greater than the sum of its parts.

If it ISN’T well-executed, however, you might be left with an ineffectual mishmash.

Such is the case with the new Netflix drama “The Starling.” The film – which is directed by Theodore Melfi and stars Melissa McCarthy and Chris O’Dowd – never seems able to find any kind of tonal consistency, punctuating its family drama intentions with moments of avian-flavored slapstick. Again, it’s not that such vacillation CAN’T work, but here, it definitely doesn’t.

That isn’t to say that the participants aren’t acting in good faith. In truth, McCarthy and O’Dowd – as well as a number of supporting players – are putting forward solid efforts. It’s just that the script and the overall lack of emotional coherence undermines those efforts, resulting in something that comes off like a Lifetime movie crossed with a Looney Tunes short.

Published in Movies

Advertisements

The Maine Edge. All rights reserved. Privacy policy. Terms & Conditions.

Website CMS and Development by Links Online Marketing, LLC, Bangor Maine