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Monday, 25 July 2022 14:14

Say yes to ‘Nope’

Genre movies have long been used as delivery mechanisms for larger, deeper ideas. Sure, there are plenty that are essentially entertainment for the sake of entertainment, but for many filmmakers, the trappings of genre – sci-fi, horror, noir, Western, you name it – have provided an outlet to express insights regarding the world in which we live.

One could argue that no contemporary filmmaker has embraced that ethos as fully as Jordan Peele. His latest film is “Nope,” a sci-fi/horror/comedy mashup that has a lot to say about the evolution of our relationship to the entertainment we consume (and that, one could argue, consumes us in return). It’s a clever and weird throwback of a film, one clearly enamored with the sci-fi and monster movies of the mid-20th century even as it offers thoughts on entertainment writ large, both in the present day and in its embryonic beginnings.

Of course, while big themes and big ideas are great and all, they don’t really matter if the delivery system isn’t up to par. What Peele has done with “Nope,” just as he did with his previous two efforts “Get Out” and “Us,” is package his insights in a well-made and entertaining movie. And while this newest film is perhaps a bit shaggier and more challenging to parse, there’s no denying that he is an exceptional craftsman as both a writer and a director. That craft is on full display here.

(Note: This is a difficult film to synopsize without spoilers. I will do my best, but apologies in advance if I misstep.)

Published in Movies

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