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It’s Oscar time again!

This year marks the 92nd Academy Awards, with the ceremony set to take place starting at 8 p.m. on the night of February 9. Over nine decades of Hollywood’s biggest night of self-celebration and self-congratulation. Nearly a century of dazzling gowns and dapper tuxedos and impactful acceptance speeches and inane interviews on the red carpet. Generations of excitement and disappointment.

As someone who loves the movies, I love the Oscars. Yes, they’ve grown increasingly out of touch over the years, but so what? There’s something exciting about rewarding the best of the best – even if what seems like the best of the best today might not seem so great later on down the road.

This marks the 13th Oscar preview I’ve written for The Maine Edge. I’ve been doing this for a baker’s dozen years. You might think that means I know something. And maybe I do … but not that much. While I’ve gotten pretty good at determining just who is going to win, the reality is that there are always going to be some surprises. That’s the joy of it – you just never know.

Here’s a look at my predictions for the 2020 Academy Awards. I've included write-ups for the big ones and just winners for the down-ballot stuff. As always, bear in mind that my picks here are for who I think WILL win, not who I think SHOULD win; this year especially feels like one where there’s some disconnect between the two.

Published in Cover Story
Tuesday, 08 October 2019 14:29

This ‘Joker’ is wild

Hollywood has spent the past decade-plus showing us that superheroes are more than capable of carrying a movie. We’ve seen all manner of comic book fare, from the biggies like Marvel and DC to more independent offerings. Superheroes are movie stars.

But what about supervillains?

With few exceptions, we haven’t seen the bad guys in the lead in these films. There’s “Suicide Squad” and … what? Now, one could argue that the single greatest performance in a superhero film was Heath Ledger as the Joker in “The Dark Knight,” but he wasn’t the star – not really.

And now, we’re getting yet another iteration of that character, only this time, it’s his story. “Joker,” directed by Todd Phillips from a script co-written by Phillips and Scott Silver, stars Joaquim Phoenix as the titular criminal. For the first time, a singular bad guy got the chance to carry a film all by his lonesome. There are no heroes here, no other villains – just Joker.

The result is a film that is unapologetically visceral and unwavering in its brutality. It paints a bleak portrait of the world and the people who live in it, using its titular character as a mirror to force society to look itself in the warts-and-all face. It is repugnant and fascinating in equal regard, driven by an absolutely mesmerizing and transformative performance by Phoenix. It is aggressive in its unpleasantness, doubling and tripling down on its unreliability as it forces us to follow along on a journey where the line between reality and delusion is indelibly blurred.

Published in Buzz

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