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Sometimes, all you want is to find a movie that everyone in the family can watch safely, a movie that will prove pleasant enough – or at least tolerable – to everyone watching. You’re not looking for cutting-edge or challenging or anything like that. Just a movie.

If that’s where you’re at, then “Godmothered” is precisely what you seek.

The new film – currently streaming on Disney+ - tells the story of a wannabe fairy godmother venturing into the world in hopes of helping someone find their happily ever after. This despite having neither sufficient training nor permission to do so. It’s the kind of light and fluffy fare that we usually get from the live-action side of Disney (non-IP edition), executed with the same efficient competence that we’ve come to expect.

Now, this adherence to the in-house rubrics and general formula is never going to result in a great movie. What it will get you is a decent movie – a category into which “Godmothered” most assuredly falls. Directed with workmanlike skill by Sharon Maguire from a vanilla script written by Kari Granlund and Melissa K. Stack, it’s a movie that provides a perfectly nice time – and that you will likely never need to watch again.

Published in Movies
Wednesday, 18 September 2019 09:10

Fun run – ‘Brittany Runs a Marathon’

Movies don’t often surprise us anymore. That’s by design – we live in a world of massive marketing budgets and huge publicity pushes, when every major release receives multiple trailers and press junkets and the whole nine yards.

Then again, there are different kinds of surprises. There are the indie darlings that turn out to be dark horse awards contenders. There are the presumed anointed that wind up falling flat both critically and commercially. And then there are movies that surprise on a more individual level.

“Brittany Runs a Marathon” falls into that third category. Specifically, it features a lead performer – in this case, Jillian Bell – known primarily for comedic work taking the turn into something with a bit more substance. That’s not to say that comedy is somehow insubstantial, only that it’s interesting to see comedic performers taking dramatic risks.

This movie is that risk for Bell, a gifted comedian who displays a degree of emotional vulnerability and honesty that is a significant departure from the work we’re accustomed to seeing from her. The comedy isn’t gone – she’s as funny as ever – but it’s coming from a genuine place, informed by real feeling. It’s a smart, sharp story that manages to balance a comedic coarseness with an underlying message that is legitimately inspirational.

Published in Movies

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