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There’s something to be said for a story whose narrative can be explained with elevator-pitch brevity. While intricate plotting can be an engaging, thrilling part of a book or film, it can also be nice to enjoy the simplicity of getting the essence of the thing in a single sentence.

“Yesterday” – directed by Danny Boyle and written by Richard Curtis – is a magnificent example of the latter. “Singer-songwriter wakes up as the only person who remembers The Beatles.” That’s it. That’s what this movie is about. Simple.

Of course, that simplicity is deceptive. It’s a great hook, but what next? How do you take your admittedly-fascinating idea and build it into a story? It’s a dilemma that Boyle and Curtis struggle with a little more than one might have hoped, but the film still hangs together well thanks to Boyle’s strong-as-ever visual stylings, a top-notch lead performance and – of course – the music.

Published in Movies

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