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Brace yourselves, folks – the onslaught of pandemic cinema is fast approaching. We’re going to see a wealth of films a) made during the lockdown, b) made about the lockdown or c) both. Some of these movies might well prove to be exceptional pieces of work, but rest assured that a lot of them are going to be, well … not.

“Locked Down,” the new film directed by Doug Liman and starring Anne Hathaway and Chiwetel Ejiofor, lands closerto that latter category. Currently available on HBO Max, it’s the kind of throw-everything-at-the-wall-and-see-what-sticks movie that doesn’t always work; toss in the limiting factors of pandemic production and you’re looking at a project that was already hamstrung before shooting started.

I mean, who thought it was a good idea to make a lockdown-centric movie mashup of romantic comedy, relationship drama and heist movie? Rumor has it that screenwriter Steven Knight wrote the script on a dare. It definitely shows. Now, it’s not all bad – the truth is that there are some solid ideas here and the leads are certainly talented enough. Unfortunately, the disparate elements never get properly blended, leaving us with a clunky three-into-one vibe that will prove frustrating to those who see the very real potential here.

Published in Movies
Tuesday, 20 November 2018 11:52

‘Widows’ an engaging, atypical thriller

What happens when an Academy Award-winning director teams up with a bestselling novelist-turned-screenwriter to make an unexpected and unconventional heist movie?

“Widows” happens.

Director Steve McQueen isn’t necessarily the guy you’d think of when it comes to gritty gangster noir fare, but this film – which he also co-wrote alongside “Gone Girl” author Gillian Flynn – is all that and more. It’s a tense thriller, yes, but it’s also a work of feminist empowerment. And oh yeah, it has something to say about the American political system as well.

It’s a beautifully-crafted film, aesthetically stylish and narratively surprising, featuring a peak-of-his-powers filmmaker assembling an incredibly talented ensemble to create a movie that, while hauntingly familiar in some respects, is still something you’ve never really seen before.

Published in Movies
Tuesday, 12 June 2018 16:06

‘Ocean’s 8’ is more than enough

Anyone who digs a good heist/caper movie carries a fondness for the “Ocean’s” series of movies. 2001’s “Ocean’s Eleven,” 2004’s “Ocean’s Twelve” and 2007’s “Ocean’s Thirteen” were a stylized delight, reinvigorating the genre via the directorial talents of Steven Soderbergh and the tremendous cast, anchored by the movie star triumvirate of George Clooney, Brad Pitt and Matt Damon atop some phenomenal ensemble casts.

It’s such a wonderful trilogy, in fact, that one can certainly understand the skepticism felt my moviegoers upon hearing the announcement of a new, female-led installment in the series. However, “Ocean’s 8” largely puts that skepticism to rest; while the film doesn’t necessarily reach the heights of the initial films, it’s got a powerhouse cast of its own telling a story that – while a bit implausible – is still a heck of a lot of fun.

Published in Movies
Tuesday, 23 January 2018 17:42

‘Den of Thieves’ a humdrum heist

There’s a joy to watching heist movies that is tough to find in any other cinematic subgenre. They’re propulsive by nature, with an inherent structure that allows for a steady build to an elaborate and satisfying climax.

Well … hopefully satisfying, anyway.

See, while there’s a lot to love about good heist movies (and even bad ones, really), there are few things worse than a forgettable heist movie, a film that cobbles together a threadbare collection of influences from superior offerings into something that simply … is.

Published in Movies
Wednesday, 23 August 2017 11:36

Of heists and hillbillies - ‘Logan Lucky’

Soderbergh’s cinematic return well worth the wait

Published in Movies

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