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No one gets Jason Statham quite like Guy Ritchie. And vice versa.

From the very beginnings of their mutually beneficial collaborative efforts, the two have proven deft at understanding and embracing the talents of the other. But it has been a long time since their last outing together – 2005’s “Revolver” – and a lot has changed, with both men venturing more fully into the realm of the blockbuster.

They’ve teamed up once more on the new film “Wrath of Man,” based on the 2004 French film “Le Convoyeur.” It’s a Ritchie specialty, featuring assorted lowlifes and criminals and their behaviors of varying degrees of amorality. It’s an action thriller content to lean far more heavily on the former rather than the latter, sitting back and letting its action star lead do what he does best.

Watching this movie, you wouldn’t guess that it had been 15-plus years since Statham and Ritchie worked together. But the energy and sensibility that they shared is still going strong – it’s not the best work either’s ever done, but it is a solid entry into the filmography of both.

Published in Movies

We can all agree that no one does charming scumbags like Guy Ritchie, yes? While he certainly has other gifts as a filmmaker, the truth is that Ritchie is never better than when he’s throwing wave after wave of idiosyncratic and charismatic criminals at you.

His latest film (which he both directed and co-wrote) is “The Gentlemen,” a skewed and stylized look at what happens when a career criminal decides to divest himself of his illicit holdings, only to find himself forced to do his own particular brand of business with (and against) those who seek to profit from his departure at his own expense.

With an all-star cast led by Matthew McConaughey and wholly invested in Ritchie’s vision, “The Gentlemen” is a brutal and very funny film, off-kilter and convoluted in the most entertaining ways. It might not ascend to the level of the filmmaker's most beloved works, but it’s still a heck of a good time.

Published in Movies
Wednesday, 29 May 2019 11:47

A ho-hum new world – ‘Aladdin’

We can all agree that Disney more or less rules the cinematic landscape at this point, yes? We don’t have to like it, but there’s no denying the company’s omnipresence on our screens. The Marvel Cinematic Universe and Star Wars movies have definitely filled the coffers to overflowing, but those films are far from the only moneymakers in Big Mouse’s stable.

Another high-impact trend for Disney is the onslaught of live-action remakes of their beloved animated films. They’ve been having success with that formula for a few years now, but 2019 sees them really pushing the envelope.

The latest is “Aladdin,” a remake of the beloved 1992 animated film. It’s perhaps the boldest maneuver yet, considering the iconic nature of both the movie as a whole and of the performance by Robin Williams as the Genie in particular. Basically, we’re left to wonder why (hint: the answer is money – it’s always about the money).

This new film – directed by Guy Ritchie (I’m as surprised as you are) and featuring Will Smith assuming the bright blue mantle of geniedom – had the look of an utter disaster early on. And while it turned out to be considerably better than that, it only succeeded in being … OK. Not terrible. Not great. Just OK. And that bland meh-ness is maybe the worst place it could have landed; we’re left with a movie that is almost defined by how unnecessary it feels.

(Of course, it also did nine figures at the box office opening weekend, so what do I know?)

Published in Movies

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