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The past couple of months have seen a slow and uneven return to movie theaters. Films that were delayed or otherwise impacted by the pandemic are gradually returning, filling the country’s big screens with the outsized sequels and franchise fare that many have spent the past year-plus anticipating.

We watched a battle of the monsters when King Kong fought Godzilla. We held our breaths as Emily Blunt took on alien invaders in near-silence. Chris Rock was in a “Saw” movie and Emma Stone gave us a Cruella de Vil origin story. We even got to see Vin Diesel get faster and furiouser than ever alongside his franchise family and a smattering of movie stars. But even with all that, it was hard to say that the moviegoing experience was truly, fully back … until now.

That’s right - the MCU is on the big screen, baby!

“Black Widow,” the ostensible first installment in the MCU’s Phase Four, has landed, both in theaters and via premium access on Disney+. Directed by Cate Shortland from Eric Pearson’s screenplay, the film centers on the titular Black Widow and her doings during the period between “Captain America: Civil War” and “Avengers: Infinity War.”

It’s an interesting choice, taking a leap back chronologically with the leadoff film of the newest phase. And some of the narrative wind has been knocked from its sails due to the pandemic delays – Marvel’s three MCU-connected TV shows were supposed to follow this film; instead, they came first. Those looking for big advances to the overarching MCU narrative will likely come away slightly disappointed; the nature of this film means that major revelations are unlikely. However, when judged on its own merits, “Black Widow” is solid action-adventure; not top-tier Marvel, but far from the worst.

Published in Movies
Tuesday, 07 January 2020 12:46

‘Little Women,’ big feelings

No matter how voracious a cultural consumer we might be, the reality is that there’s just too much out there for anyone to experience it all. Too many books to read, to many songs to hear, too many films and plays and shows to watch. There will always be gaps.

For instance, I myself have a “Little Women”-shaped hole in my own cultural experience. Despite the relative ubiquity of Louisa Mae Alcott’s classic novel and its multitude of film and stage adaptations, I had never directly engaged with the story. I never read the novel, nor saw it on stage or screen. Yes, I had a very basic awareness due to its cultural presence, but it boiled down to basic timeframe, number of sisters and the plot point that Rachel spoils for Joey on an episode of “Friends.”

So I wondered what kind of experience I would have seeing this new “Little Women” cinematic adaptation. It comes courtesy of Greta Gerwig, who wrote the screenplay as well as directed, and features an absolutely stacked ensemble cast. Obviously, the odds were in favor of this being a good movie. But would my lack of familiarity hinder my enjoyment?

Turns out I worried for nothing, because not only is “Little Women” a good film, it is a GREAT film. It is masterfully constructed and beautifully composed, featuring a wonderful period aesthetic and absolutely incredible performances. It stays true to the truths of the material’s history while also finding ways to endow those truths with elements tied to our own modern world. It’s an incredible feat of filmmaking, one that is almost certainly even better than you think it is, no matter how good you believe the movie to be.

Published in Style

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