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Tuesday, 11 February 2020 11:57

‘Birds of Prey’ offers high-flying fun

It’s fair to say that the Marvel Cinematic Universe has far outpaced its DC counterpart. One of the biggest reasons for the difference in levels of success has been tone – the MCU has always found ways to make its films fun, while DC has largely produced movies weighed down by a sense of bleak, gray self-seriousness.

Recently, however, the DCEU has started finding its way out of that grimdarkness. Films like “Wonder Woman” and “Aquaman” have done a better job of finding the fun. And their latest offering – full title “Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn” – continues in that vein, producing a piece of candy-colored weirdness that is as enjoyable to watch as any film in the franchise thus far.

It’s worth noting that this film is female-driven – not just in front of the camera, but behind it, with Cathy Yan directing from a script by Christina Hodson – in an organic fashion that never comes off as forced or pandering.

It’s not a perfect film – the narrative is a bit haphazard and the structure is all over the place – but by and large, it’s pretty darned good and entertaining as hell. The performances are strong and there are some killer action sequences, along with a few solid gags. Put it all together and you get one of the better DCEU outings.

Published in Movies
Tuesday, 12 November 2019 12:46

‘Doctor Sleep’ shines on

It seems like every week sees the announcement of another screen adaptation of a Stephen King work. Hollywood has always had an affinity for King, but the proliferation of outlets has brought more and more content creators to the nigh-endless font of material that is the erstwhile Master of Horror.

But “Doctor Sleep” is a little different. The 2013 book is a sequel to King’s classic novel “The Shining,” a look at whatever happened to little Danny Torrance in the aftermath of his ordeal at the Overlook Hotel. King’s relationship with Stanley Kubrick’s film adaptation of “The Shining” is notoriously fraught; in some ways, “Doctor Sleep” was a years-later reaction to that film.

Obviously, this makes the idea of adapting “Doctor Sleep” to the screen a tricky proposition. But few are as uniquely suited to strike the proper balance as Mike Flanagan, who both directed and wrote the screenplay for the film. Flanagan’s horror bona fides are legit, but more than that, he wrote and directed one of the best King adaptations of recent years; “Gerald’s Game” was a book that seemed almost unfilmable, yet Flanagan turned it into a powerful and effective film.

Turning his eye onto “Doctor Sleep,” Flanagan’s stated goal was to do proper service to King’s book while also finding ways to pay homage to Kubrick’s iconic film. It would seem to be a Herculean task … and yet Flanagan managed to pull it off. Being all things to all people rarely works, yet here we are – a film that is true to both the spirit of the book being adapted and of the film being remembered.

Published in Movies

Nostalgia is a powerful thing. To some extent, the entertainment landscape has always been sculpted by our fondness for memories of the past. But nostalgia’s power has grown exponentially in the internet age; today’s popular culture is powered by our love for what came before.

So it makes sense that a movie like “Christopher Robin” would appear at this moment in time. And when you take into account the general air of cynicism that permeates our discourse, the idea of a gentle remembrance of something pure and beloved from our youth sounds pretty darned nice.

And that’s what this latest Disney offering is – nice. It isn’t anything spectacular. It’s just nice. It’s a chance to visit with Winnie the Pooh and Piglet and Tigger and the rest of the A.A. Milne gang in a slightly different manner. Yes, it’s about what it means to grow up and put away childish things, but mostly, it’s about checking in with some old friends.

Published in Movies

Live-action remake loyal to spirit of animated classic

Published in Movies

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