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Chris Bohjalian can write just about anything.

There are relatively few writers in the realm of popular fiction who possess the range that Bohjalian has brought to his oeuvre over the past few decades. His depth of research results in books that, no matter their subject, make for compelling and propulsive reads.

His latest is “The Lioness” (Doubleday, $28), a midcentury story revolving around a Hollywood movie star who embarks on an African safari for her honeymoon, bringing friends and professional associates along for the ride. However, when the adventure takes a deadly turn, the group is left facing dangers both animal and human … and not everyone will escape with their life.

Told via a constantly shifting perspective, with each chapter moving to the point of view of a different character, “The Lioness” uses the vagaries of Hollywood culture and the brutal beauty of the Serengeti to explore the meaning of perception – how we are viewed by others and, crucially, how we view ourselves.

Published in Style

My affinity for the written word is no secret. I’ve been reviewing books in these pages for coming up on 15 years now, and I was a voracious reader even before it became part of my job.

I have my favorites, of course – who doesn’t? Anyone who spends significant time turning pages has authors whose work they find particularly appealing. And it’s always exciting when one of your favorites has a new book coming out.

But there’s something even more exciting than that – when TWO of your favorites EACH have a new book coming out.

Such is the case for me here in mid-May, when two authors whose work I very much enjoy have new novels dropping within a week of one another.

On May 10, Chris Bohjalian’s newest book “The Lioness” was published by Doubleday. It’s a sharp and propulsive work of historical fiction revolving around mid-century Hollywood types and a safari gone horribly wrong, with each chapter moving from character perspective to character perspective and featuring Bohjalian’s trademark meticulousness of research. It’s a real adventure of a read.

On May 17, literary clown prince Christopher Moore’s latest “Razzmatazz” dropped courtesy of William Morrow. A sequel to Moore’s excellent 2018 novel “Noir,” this one is also set in the past – post-WWII San Francisco, where we get to enjoy the continuing adventures of Sammy Tiffin, bartender and reluctant hero, as he tries to solve a mystery and save himself and his friends. Weird and laugh-out-loud funny.

(Our full reviews of "The Lioness" and "Razzmatazz" are available.)

Now, this isn’t the first time that I’ve had two authors I admire release works so close together. So what makes this instance so special – special enough that I’ve chosen to make it our cover story for this week?

Published in Cover Story

We have a tendency to want to categorize writers, to pigeonhole them. We like to label them by way of their output: sci-fi writers and literary writers and mystery writers and horror writers and romance writers and on and on and on. It’s easy to do and generally accurate – even authors who diversify tend to be primarily identified by one label, so when we get writers that aren’t so readily tagged, we’re not entirely sure what to call them.

Colson Whitehead is an author who defies those sorts of labels. He’s written speculative fiction – sci-fi and horror. He’s written historical fiction. He’s written immersive participatory nonfiction and literary satire. Really, one of the few descriptors shared across his body of work is “excellent.” As far as previous books go, he’s eight-for-eight.

His latest is “Harlem Shuffle” (Doubleday, $28.95), a crime novel of sorts that offers a vivid look at the Harlem of the late ‘50s and early ‘60s. It’s got potboiler DNA, packed with capers and unsavory elements, but all of it is informed by the narrative brilliance of the author. The result is a wild ride of a novel, one that focuses on one man’s inner struggle with his past and present, wherein he seeks to do right by his family while also being the man he wants to be.

Any book by Whitehead is an event – the guy’s last two novels each won the Pulitzer Prize (“The Underground Railroad” in 2017; “The Nickel Boys” in 2020) – but this one feels like something of a throwback. It’s plenty sophisticated and carries forward many of the themes Whitehead traditionally explores in his work, but “Harlem Shuffle” is a looser read, content to lean into the narrative and let the story be what it will be.

And what it will be is outstanding.

Published in Style

I’m a sucker for sports history. It doesn’t even really matter the sport – I generally lean toward the Big Four, but honestly, any discussion of the athletic past will work. I have my sporting foci – baseball and football foremost among them – but as a general fan, I can derive joy from coverage of just about any athletic endeavor.

The moral to the story is simple: With the right pairing of subject matter and author, a work of sports nonfiction can really sing.

Longtime Boston sports journalist Leigh Montville is one of the best to ever do the gig, with a decades-long body of work covering some of the most iconic moments in American sports. His latest book is “Tall Men, Short Shorts – The 1969 NBA Finals: Wilt, Russ, Lakers, Celtics, and a Very Young Sports Reporter” (Doubleday, $29), a look back at the series that would ultimately mark the ending of the lengthy Celtics NBA dynasty of the 1950s and 1960s. A series that saw a certain bright young man – just 24 years of age and setting out on what would become an iconic career as an ink-stained wretch – crisscrossing the country as part of the now-legendary NBA Finals matchup between the Boston Celtics and the Los Angeles Lakers in 1969.

It’s also a wonderful bit of autobiographical writing, a reflection on the beginnings of a storied career. Those moments of memory and memoir are what elevate this book from what would be a perfectly adequate work of sports history into something more, a wry look back from someone who understands that the person he once was had a lot to learn.

Published in Sports

Our country’s history is packed with stories. And while some of those stories are generally familiar, even those that we’ve dug deeply into time and again have new nuances waiting for us to explore. Take the Salem Witch Trials, for instance. It’s one of those vividly bleak moments in time with which the majority of Americans bear at least a passing familiarity.

But those trials, as horrible as they were, were not the beginning of the story. Those terrible acts didn’t take place in a vacuum, but were rather the culmination of a decades-long period of repression and hysteria.

Chris Bohjalian’s new book “Hour of the Witch” (Doubleday, $28.95) takes us further back, some 30 years before the horrors of Salem. It’s a look at one woman’s efforts to reconcile her religion and her beliefs with the pain and suffering – emotional and physical – inflicted on her by those around her. It’s the story of what it means to stand up for oneself, even in the face of a society that has little interest in protecting her.

Blending historical events with page-turning thrills, “Hour of the Witch” offers a propulsive and powerful tale of what can happen when a person who is pushed to the brink simply refuses to accept the status quo and pushes forward in a quest for justice – even if that person knows deep down that justice is almost certainly not forthcoming.

Published in Buzz

I love words.

The English language is a rich tapestry, one filled with weird lexicography and etymological dead ends. There are just so many words, with more coming into being every day. And of course, the reference of choice for any lexophile worth their salt is the dictionary.

But what if you found out that you couldn’t trust it?

In “The Liar’s Dictionary” (Doubleday, $26.95), the debut novel by Eley Williams, we find out. Unfolding in two distinct storylines – one past, one present – the book explores what it means to trust wholly in something that ultimately proves unreliable, either through one’s own actions or the actions of another. It is also a celebration of language and the people who devote their lives to studying and recording its many iterations.

All that and it’s wildly funny as well. Plus, you might learn something. For instance, did you know this word?

Mountweazel (n): the phenomenon of false entries within dictionaries and books of reference. Often used as a safeguard against copyright infringement.

I’d never heard it before, but it plays a vital role in the action of this delightful book.

Published in Style
Tuesday, 21 July 2020 13:32

A woman’s place – ‘Blue Ticket’

Imagine a world in which your future was determined for you at an early age, a world in which your path was plotted by a lottery ruled by a machine.

That’s the world of Sophie Mackintosh’s new book “Blue Ticket” (Doubleday, $26.95). This dystopian vision from the author of 2018’s acclaimed “The Water Cure” is a bleak and unrelenting glimpse at a world in which reproductive agency is disallowed. This is a place where a woman’s possibilities for motherhood are determined at the time of their first menstruation – and there is no appeal.

It’s a provocative and challenging book, one that offers a particular perspective of the slippery slope that is institutional control of bodily autonomy. It is tense and thrilling, combining in-depth character study with just the right amount of background. And while the setting is a speculative future, the woman on the run narrative is one that transcends its genre framework.

Published in Style

At first glance, the disciplines of science and philosophy would seem to be mostly distinct. To put it simply, science is about considering how the world works, while philosophy is about considering why the world works the way it does. Again, an oversimplified explanation, but close enough.

What the two share, however, is that deep-seated desire to unpack the secrets of the universe. And in some cases, the line of demarcation can become considerably more difficult to find.

In “The Dream Universe: How Fundamental Physics Lost Its Way” (Doubleday, $26.95), author David Lindley posits that in the bleeding edge world of theoretical physics, that line is all but erased. He walks the reader through a quick-hit history of science and how our conception of what “science” even is has evolved from the philosophical beginnings of the Greeks, growing into something observationally and experimentally based over the centuries, only to relatively recently push so far into the theoretical realm as to circle back round to its thought-driven underpinnings.

That might sound a bit heavy, but Lindley has a real gift for narrative; it’s rare for science writing – even pop science aimed at a broad audience – to be this readable and engaging. Lindley pushes us through the history of science via a handful of touchstone figures, giving us a crash course of sorts. From the early work of Galileo up through the pure-math musings of today’s physics giants, we’re along for the ride.

Published in Tekk

It’s easy to forget how long the publishing process really takes. Books are written and proofed and edited and reproofed and reedited and so on and so forth, with release dates scheduled months in advance. So far in advance, in fact, that you occasionally wind up with something that is accidentally timely.

So it is with Chris Bohjalian’s latest thriller “The Red Lotus” (Doubleday, $27.95). It’s excellent in the way that Bohjalian’s work is always excellent – smart, crisply-paced, well-plotted – but it also happens to feature a central plot point revolving around the threat of a weaponized disease. While there are essentially zero actual similarities between Bohjalian’s plot and current events, the timing of the book’s release means that the comparison is unavoidable.

Still, once you move past that odd bit of synchronicity, you can enjoy this book for what it is – a taut and twisting work that features the intrigue and idiosyncrasy that are hallmarks of Bohjalian’s work. It is evocative and exciting, a quick and engaging read that will prove a welcome experience for fans of thrillers.

Published in Style
Wednesday, 22 January 2020 14:13

Tech-22 – ‘Zed’

Speculative fiction is at its best when it has something to say. From the very beginning, sci-fi has used its trappings to examine and explore the (sometimes harsh) realities of the real world. It reflects and refracts, commenting on where we are and where we might be going.

We live in a world where technology is ubiquitous and a handful of people sit in control of the vast majority of the resources behind that technology. Those people, perhaps more than any elected official, are the ones who hold our societal destiny in their hands. But as we grow ever more reliant on the various forms of tech to live our daily lives, as it infiltrates every aspect of our everyday existence, we must ask ourselves – what happens if those people lose control? What happens if this omnipresent technology stops working the way it is supposed to?

That’s where Joanna Kavenna’s “Zed” (Doubleday, $27.95) takes us. This darkly comic dystopian novel imagines a world not too different from our own, a near-future in which a single company has risen to the top of the food chain and extended its influence into every aspect of society. This company provides the technology on which seemingly the entire world runs. And something’s wrong…

With a biting wit and a discomfiting plausibility, “Zed” offers up a portrait of what might happen if everything – and I do mean EVERYTHING – was dictated by algorithmic whims … and what happens if those algorithms should start to crumble, leaving those at the top to make panicked choices aimed more at protecting themselves than the world around them.

Published in Tekk
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