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There are a lot of challenges that come with making a movie inspired by a true story. One of the biggest is dealing with the simple fact that many of those who are watching already know how the story ends. Finding ways to build dramatic tension into a narrative whose conclusion by definition isn’t a surprise demands a lot of a filmmaker.

So it is with “Judas and the Black Messiah,” the new film directed by Shaka King from a screenplay he co-wrote with Will Berson. It’s the story of the rapid rise and tragic, too-soon death of Fred Hampton, chairman of the Illinois Black Panther Party and one of the iconic Black cultural figures of the 1960s. Feared by the authorities and celebrated by the people, Hampton was a polarizing figure, hated by the establishment and beloved by the counterculture … and the powers that be wanted him out of the picture.

This is a story about anger, both the righteous kind and the fearful kind. It’s a look at the revolutionary attitudes of the era, writ large thanks to the oratorical and rhetorical gifts of the young Hampton, and the willingness of law enforcement to bend and even break the laws they purported to serve to get rid of him. And it’s the story of the man who sold Fred Hampton out. It is a challenging and provocative movie – one that deserves every bit of attention it is almost certainly going to receive throughout the upcoming awards season.

Published in Movies

Everyone knows that superhero movies are big business these days. The MCU and DCEU have both proven to be massive moneymakers, bringing in billions of dollars for the studios. What we sometimes forget, however, is that these films are being built on a foundation of source material that runs decades deep. That depth provides a wealth of ready-made narrative and loads of context.

As you might imagine, these means that creating movies based on more limited or obscure source material can result in varying degrees of success. And when you start talking about wholly original ideas, with no IP serving to shore them up structurally, well – you’ve got a task ahead of you.

Netflix has offered up just such an idea with their new movie “Project Power.” Specifically – what if there was a pill you could take that would give you superpowers for five minutes? But there’s a catch: you won’t know what your power will be until you take the pill … and there’s a chance you might just explode.

“Project Power” is a big-budget action-adventure that, while liberally borrowing from other sources, still manages to be more or less its own thing. Sure, it’s a touch derivative in spots, but it also has a couple of top-tier talents heading the call list (Jamie Foxx and Joseph Gordon-Levitt) and an up-and-coming directing team at the helm (Henry Joost and Ariel Schulman). It’s not a wheel reinvention; this movie hits the beats we’ve come to expect from superhero cinema and does so in a familiar way. However, there’s just enough different here to make things interesting not just for the average viewer, but for the hardcore Marvel and DC stans as well.

Published in Movies

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