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Thursday, 04 June 2020 17:46

Master of puppets – ‘Judy & Punch’

There’s nothing quite like that moment of realization – usually within the first few minutes of a movie – that you had no idea what you were in for. Most of the time, I sit down with a fairly clear idea of what to expect from a film. It’s rare for a movie to surprise me.

“Judy & Punch” surprised me.

The film – written and directed by first-timer Mirrah Foulkes – is inspired by the traditional Punch and Judy puppet show, a subversive slapstick satire with roots in the tradition of commedia dell’arte. The stylized brutality and savage humor of the duo proved very popular in Restoration Era England – the same time and place that serves as the setting for this film.

That inspiration lays the foundation for a genre-fluid and deeply weird cinematic experience, one driven by that same ethos of savagery. This is a movie that gleefully pinballs from comic absurdity to stark social commentary to graphic brutality, all in the space of mere minutes. This is a film that is unafraid to shock and almost gleeful in its willingness to undermine expectations. It is dark and unsettling and bizarre, shot through with an anarchic sense of humor that borders on Pythonesque.

All in all, I dug it, but be warned – your mileage DEFINITELY may vary.

Published in Movies
Wednesday, 19 September 2018 11:19

Grant yourself ‘A Simple Favor’

When I first saw a trailer for “A Simple Favor,” I was intrigued. Sure, I figured it was basically going to be another “Gone Girl” knockoff – I wasn’t familiar with the 2017 Darcey Bell book of the same name or anything, but it all seemed pretty clear how this was going to go. I assumed I had it all figured out.

But you know what they say about when you assume.

I should have been suspicious. Paul Feig – best known for making sitcoms and Melissa McCarthy-led comedies – was in the director’s chair. The odd couple pairing of Blake Lively and Anna Kendrick as the leads. Still, I went into the theater expecting an entertaining, albeit fairly formulaic thriller.

Instead, I got something else. “A Simple Favor” definitely has “Gone Girl” in its DNA, but Feig has reflected the standard “Lost Woman” thriller through the skewed lens of his own absurd-leaning sensibility. The result is a movie riddled with twists and turns, filled with weird secrets and outlandish choices. It is somehow deadly serious and rather silly at the same time, with neither tone undermining the other. And it sure is fun to watch.

Published in Movies

It’s rare for movies to really surprise us anymore. Oh, there are the plot twists and turns that will sometimes catch us off guard. We anticipate a bad movie and get a good one or vice versa, that’s unexpected. But for a movie to legitimately SURPRISE us, to be something far more than we ever could have prepared for, well … that’s an uncommon treat.

“Sorry to Bother You” – written and directed by hip-hop activist Boots Riley – wasn’t really on my radar before a few weeks ago. What little I initially gleaned was that it was a sort of workplace comedy with something to say about race and class. But then the murmurs started. People whose opinions I trusted – critics and friends alike – were talking about this film. Talking about it in hushed and reverent tones while still keeping everything very close to the vest. My interest piqued, I went to see it for myself.

Published in Movies

Stories of loss are difficult to tell. Finding ways to convey the notion of grief without succumbing to sentimentality or devolving into the maudlin – particularly on-screen – can prove trying to even the most accomplished filmmaker.

Published in Movies

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