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Saturday, 11 July 2020 16:41

Never say die – ‘The Old Guard’

It takes a special kind of performer to headline an action franchise. Gone are the days when all it took was a willingness to bulk up, shoot guns and spout catchphrases; today’s action offerings trend toward the high-concept, particularly when looking to create or continue a series. And a different sort of action requires a different sort of actor.

To be honest, I wouldn’t have pegged someone like Charlize Theron as a likely action star, but following recent turns in films like “Mad Max: Fury Road” and “Atomic Blonde,” it is abundantly clear that she has all the requisite chops to handle her business.

Her latest entry into that realm is “The Old Guard,” currently streaming on Netflix. It’s a sharp and sometimes surprising sci-fi action offering, one clearly intended to kick off a franchise for the streamer. There’s a thoughtfulness to the film that you don’t always see in this sort of offering, along with a willingness to allow breathing room for character development (although the action set pieces are high in both quality and quantity).

Directed by Gina Prince-Bythewood from a screenplay that Greg Rucka adapted from his own graphic novel series of the same name, “The Old Guard” is a film whose strengths are consistently complementary, finding the perfect blend of action-packed excitement and character engagement – one left wide open for future installments.

Published in Movies
Tuesday, 08 October 2019 14:29

This ‘Joker’ is wild

Hollywood has spent the past decade-plus showing us that superheroes are more than capable of carrying a movie. We’ve seen all manner of comic book fare, from the biggies like Marvel and DC to more independent offerings. Superheroes are movie stars.

But what about supervillains?

With few exceptions, we haven’t seen the bad guys in the lead in these films. There’s “Suicide Squad” and … what? Now, one could argue that the single greatest performance in a superhero film was Heath Ledger as the Joker in “The Dark Knight,” but he wasn’t the star – not really.

And now, we’re getting yet another iteration of that character, only this time, it’s his story. “Joker,” directed by Todd Phillips from a script co-written by Phillips and Scott Silver, stars Joaquim Phoenix as the titular criminal. For the first time, a singular bad guy got the chance to carry a film all by his lonesome. There are no heroes here, no other villains – just Joker.

The result is a film that is unapologetically visceral and unwavering in its brutality. It paints a bleak portrait of the world and the people who live in it, using its titular character as a mirror to force society to look itself in the warts-and-all face. It is repugnant and fascinating in equal regard, driven by an absolutely mesmerizing and transformative performance by Phoenix. It is aggressive in its unpleasantness, doubling and tripling down on its unreliability as it forces us to follow along on a journey where the line between reality and delusion is indelibly blurred.

Published in Buzz
Wednesday, 17 April 2019 12:32

‘Hellboy’ is a hell of a mess

One of the things that people sometimes forget about comic books is that they can (and do) get a lot weirder than your standard superhero business – and that that can be a good thing.

Take Mike Mignola’s Dark Horse Comics creation Hellboy. That’s some weird, over-the-top supernatural stuff – eldritch strangeness that is barely adjacent to the usual superhero fare. And yet, that character preceded the MCU to the silver screen, with movies in 2004 and 2008. And thanks largely to director Guillermo del Toro and star Rob Perlman, they worked.

Unfortunately, with the new “Hellboy,” neither of those gentlemen are involved. Instead, we get Neil Marshall and David Harbour, respectively – talented folks, yes, but for whatever reason, they fail to dig into the character in the same narratively engaging manner. Instead, we get a big, loud, gory mess, a jumbled-up and chaotic slog of a movie that can’t be salvaged despite the game effort put forth by Harbour, whose delightfully slovenly dad-charisma is undermined by prosthetics and CGI.

Published in Movies
Wednesday, 13 March 2019 13:07

Marvel at ‘Captain Marvel’

There’s no disputing that the Marvel Cinematic Universe rules the box office like nothing the entertainment industry has ever seen. Film after film drawing massive numbers, with grosses in the middle nine figures AT WORST. The MCU has produced some of the most globally popular movies of all time.

As we near the end of Phase Three – set to culminate with next month’s “Avengers: Endgame” – we are finally introduced to one of the characters who promises to be a major player in how that arc ends: Captain Marvel. The superpowered spacefarer stars in her own eponymously-titled outing, serving as the first female character to headline an MCU movie.

You may have heard about efforts from certain elements to undermine the film before its release. You may have also heard about how ultimately ineffectual those efforts were. Because a LOT of people saw this movie on opening weekend. And what they saw was pretty darned good, a quippy, zippy origin story that manages to stand on its own merits while also serving as connective tissue for the rest of the MCU out of necessity.

“Captain Marvel” could have floundered under the storytelling load it was asked to shoulder, but instead manages to (mostly) soar, giving us a fun and engaging narrative, some decent gags and some solid action set pieces (along with a killer ‘90s soundtrack). Excellent performances (particularly from star Brie Larson) serve as the glue that binds it all together.

Published in Movies
Sunday, 23 December 2018 00:06

‘Aquaman’ works swimmingly

It’s no secret that DC is trailing Marvel significantly when it comes to their respective cinematic universes. Marvel has turned the MCU into a content-churning, money-printing machine, while DC’s process has been a good deal less smooth. Marvel is celebrated, DC is denigrated.

It appears that DC might be learning their lesson, though. While many of their early efforts at developing their shared universe have focused on the bleak grimdarkness that the success of Christopher Nolan’s Batman films convinced them that they needed, later films have shown glimpses of something resembling fun.

And while no one is going to mistake “Aquaman” for the cream of the MCU crop – or even last year’s excellent “Wonder Woman” – there’s no question that the movie marks a sizable step in the right direction. This movie is big and loud and unashamed of either; a collection of one-liners and guitar licks, a veritable smorgasbord of wide-ranging action, nonsensical cinematic physics and weirdly vivid settings. It definitely makes a splash.

Published in Movies
Tuesday, 22 May 2018 15:00

More meta mayhem – ‘Deadpool 2’

Superheroes are big business at the box office. The biggest cinematic successes of the past few years have involved CGI explosions and spandex. Hell, 2018 alone has seen “Black Panther” and “Avengers: Infinity War” taking their places atop various all-time lists.

And yet … there’s more than one path to victory.

We got a glimpse of one such path with 2016’s “Deadpool,” the hard-R Ryan Reynolds passion project that brought the unorthodox and profane titular character to the big screen in all of his fourth wall-breaking metatextual glory. The critical and commercial acclaim with which it was met ensured that we’d see another installment.

“Deadpool 2” is … more. More of the self-awareness. More of the snark. More winking jokes and nods. More curse words. Just … more. It is broad and crude and unapologetic. And while it’s maybe a little messier and unfocused than its predecessor, it also opens up and shows some unexpected heart – albeit in Deadpool’s specific and very peculiar way.

Published in Movies

Stylish action sequel doesn’t quite measure up to its predecessor

Published in Movies

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